Dan Banks

Instrument: Piano

Without mimicry, Banks reimagines the indomitable spirit of such masters as Red Garland, Wynton Kelly, Bobby Timmons, Horace Silver and their peers.
—Jack Bowers, All About Jazz

Updated: December 18, 2018

Born: September 22, 1981

Jazz pianist, composer, arranger, and teacher Dan Banks is based in Medway, Kent. Although initially self-taught Dan has studied classical piano under the tutelage of Tim Carey, and jazz piano, theory, arranging, and composition with Eddie Harvey and Brian Everington. Additionally, Dan holds a Masters degree in performance (awarded with distinction) from London College of Music.

Dan’s influences as a pianist are broad. His initial experience of music came from the likes of Paul Simon, The Beatles, and Ricky Lee Jones—all played a lot at home when he was a child. However, when he started formal piano lessons, these focussed entirely on the classical tradition. His formative experience of learning ‘classical’ music has remained, and still now Bach, Bartok, and Debussy feature in his practice on a regular basis. In terms of Dan’s jazz influences these range from what you’d expect (Keith Jarrett, Chick Corea, Herbie Hancock), to the more contemporary (Eldar Djangirov, Joey Alexander, Jason Rebello, Michel Camilo, Michel Petrucciani, Craig Taborn, Uri Caine, Marc Copland), via the non-pianists (Miles Davis, Chris Potter, John Coltrane, Wynton Marsalis, and many more).

Dan is house pianist at the Bassment where he has performed with British Jazz luminaries including: Tim Garland, Jay Phelps, Laurence Cottle, Ian Thomas, Mark Nightingale, Paul Higgs, Nigel Price, Yazz Ahmed, Gareth Lockrane, Mark Armstrong, Jim Mullen, Vasilis Xenopoulos, John Etheridge, and many more. Alongside this, Dan regularly appears in the rhythm section at Trevor Taylor’s Jazz825 club in Southend-on-Sea, supporting musicians such as Josh Ison, Geoff Warren, and Roberto Manzin.

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”[in] his debut as leader, he shows mastery of the hardbop idiom as composer, soloist and bandleader.” —Mark Gilbert (Jazz Journal)

“Without mimicry, Banks reimagines the indomitable spirit of such masters as Red Garland, Wynton Kelly, Bobby Timmons, Horace Silver and their peers.”

—Jack Bowers (All About Jazz)

“...a marvellous collection of jazz compositions.”

—Keith Ames (The Musician)

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