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Dave Whitford
Chris Biscoe: Music Is: Chris Biscoe Plays Mike Westbrook
by Duncan Heining
Chris Biscoe can trade choruses with the best and melt the heart with the tenderest of ballads. But that is not what makes him special. Live and on record there is always a sense of quiet anticipation as he starts a solo. One knows one is about to hear something new, something different. It is more than his mastery of a range of woodwinds. It is more than the wonderful tone he achieves seemingly effortlessly on each of his instruments--powerful, ...
read moreChris Biscoe: Music Is: Chris Biscoe Plays Mike Westbrook
by Chris May
Chris Biscoe has played in the bands led by the great British composer Mike Westbrook and/or his wife, singer and lyricist Kate Westbrook, every year since 1979 bar one. He is the Westbrooks' first-call saxophonist and clarinetist and the love runs both ways. It also rings out on every track of this beautiful album. The concept is straightforward. Biscoe has taken seven Westbrook pieces out of their original, mostly big band, contexts and arranged them for a ...
read moreRick Simpson: Everything All Of The Time: Kid A Revisited
by Ian Patterson
It is one thing to cover a rock song, after all, jazz musicians have been doing that since The Beatles, but few have tackled an entire album by a rock band. The target of UK pianist/composer Rick Simpson's admiration is Radiohead's Kid A (Parlophone, 2000), an album that provoked wildly divergent critical response in its day. Some lambasted the electronic-influenced follow-up to the hugely successful, hook-laden OK Computer (Parlophone, 1997) as pretentious, incoherent and alienating. Others saw it as bold, ...
read moreJosephine Davies: How Can We Wake?
by Friedrich Kunzmann
Straight out of Europe's hippest jazz-scene, London-based saxophonist Josephine Davie's third effort with her trio, Satori, offers a collage of melodic meditations that simultaneously defy and conform to their rhythmic and harmonic frames. As All About Jazz's Chris May very fittingly puts it in an extensive conversation with the saxophonist, unlike many of her UK-based contemporaries, Davies' brand of jazz isn't made up of dancefloor grooves or Afro-infused beats, but instead searches for innovation in the Far East, ...
read moreJosephine Davies: How Can We Wake?
by Chris May
Compared to many of the other premier-league bands on the new London jazz scene, tenor saxophonist and composer Josephine Davies' Satori has attracted relatively little noise. There has been high praise from specialist critics, but little of the social media ballyhoo that has surrounded, for instance, bands led by fellow tenors Nubya Garcia and Binker Golding (who deserve all the praise they get). This may be because, unlike many of its contemporaries, Satori's style, though rhythmically rich, is not infused ...
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