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David Demsey

David Demsey is Coordinator of Jazz Studies and Curator of the Living Jazz Archives at William Paterson University. He has appeared with the Metropolitan Opera Orchestra since 1999 including numerous performances of Pucchinni’s Turandot, and Nixon in China conducted by composer John Adams, and has performed with the New York Philharmonic since 1994 including an all-Gershwin recording and two world tours. His Golden Crest album Demsey Plays Wilder features the jazz and chamber music of Alec Wilder. He is a member of the New Hudson and American Saxophone Quartets, toured with the Kirov Orchestra, is a member of big bands led by Phil Woods (now the Deer Head Jazz Orchestra) and Dick Meldonian, and appeared with such artists as Clark Terry, pianists Mulgrew Miller, James Williams and Jim McNeely, and bassists Milt Hinton and Rufus Reid. Demsey’s book John Coltrane Plays Giant Steps (Hal Leonard) is widely known; he co-authored Alec Wilder: A Biobibliography (Greenwood Press), and edited the new edition of Wilder’s autobiographical Letters I Never Mailed (University of Rochester Press). His “Improvisation and Concepts of Virtuosity” is the final essay in the Oxford Jazz Companion. A longtime Saxophone Journal Contributing Editor, his articles appear in Down Beat, Instrumentalist, Jazz Educators Journal, and Journal of Jazz Studies, and he wrote liner notes for five Verve Records CDs. His graduate degrees are from Eastman School of Music and the Juilliard School, and has been a Selmer Saxophone Clinician since 1988.

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Interview

Dr. David Demsey Interviewed on B.J. Jansen's Jazz Life Radio Show

Dr. David Demsey Interviewed on B.J. Jansen's Jazz Life Radio Show

Source: JM Creative

B.J. Jansen interviewed Dr. David Demsey, Head of the William Paterson University Jazz Studies Dept., on The Jazz Life radio show. The complete interview was broadcast on WPSC 88.7 FM, April 26th, 2009 during Jansen's exploration of Jazz at Willy P. Jansen created his show, “The Jazz Life," to bring audiences to the next generation of jazz artists who struggle to receive airplay in the United States. The programming format of “The ...

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