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Davide Petrocca Davide Petrocca

Davide Petrocca,Acoustic Bassplayer,Guitarist,Composer and Teacher.

Professional Musician since 1996. Styles;Modern Jazz,Mainstream,Bebop,Swing,Fusion,Free,Latin,Rock,Pop,Class ical. Studies of classical Guitar,electric/acoustic Bass and Composing in Stuttgart/Germany. Acoustic-Bass Studies with Niels Henning Ørsted Pedersen,Copenhagen-Denmark from 1999-2004.

Performed and recorded with; Bireli Lagrene,Monty Alexander,Percy and Albert Heath,Howard Alden,Andreas Oberg,Bruce Barth,Ernie Watts,Randy Brecker,Antonio Hart,Phillip Catherine,Eddie Gomez,Niels Henning Oersted Pedersen,John Taylor,Benny Bailey,Howard Levy,Martin Taylor,Richard Galliano,Hank Jones,Andre Ceccarelli,Cedar Walton,Troy Davies,Kenny Washington,Alex Riel,Jeff Hamilton,Martin Drew,Jimmy Cobb,Thomas Clausen,Jim Snydero,Gillad Atzmon,Edward Simon,Jean Toussant,Deborah Brown,Olaf Polziehn,Ferenc Snetberger,Silvain Luc,Kuno Schmid,Franco D'Andrea,Gianni Basso,Charly Antolini,Kelly Lee Evans,Scott Hamilton,Jon Faddis, a.m.o

Toured in Europe,Scandinavia,Japan,USA,Canada,New- Zealand,Russia,

Festivals;Montreaux,North See,JVC,Barcelona,Nizza,Brugge,Luzern,Zurich,Aix en Provence,Salzburg,Vienna,Dublin,London,Burmigham,Edinghburg, Glasgow,Sidney,Lleida,Catania,Crotone,Paris,Marciac,Marseill e,Tokyo,Kyoto,Oslo,Copenhagen,Stockholm,Madrid,Mallorca,Brus sel,Den Haag,New Orleans,Wellington,Auckland,Moscow,St Petersburg,Helsinki,Budapest, a.m.o

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“There are many fine,young Basslayers worldwide that i come into contact with.But what makes Davide special is his highly developed sense of proportion and form when he accompanies and when he solos. He actually thinks about what he is doing.He does not just move his fingers without leaving breathing space and time for his associates to respond or initiate.This concept of playing is rarely found in musicians three times older then Davide.His seriousness(witch i can personally attest to)is inspiring to see.Here there is a young musician dedicated to learning,playing and contributing to the true art form that jazz is and not falling into the facade and traps wich modern culture makes so readily available to the young and creative people of our era

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