David Friesen

Anyone acquainted with David Friesen's exceptional music quickly thinks of his creative universe. Ocean-deep in his sensitivity to the human spirit, Friesen is compassionate and his music founded on integrity and the pursuit of excellence.

He began playing the ukulele and the accordion at 10, and a guitar professionally at 16. Born in Tacoma, Washington May 6, 1942, he was raised in Seattle. Friesen's first exposure to jazz was Slim Gaillard in an L.A. club when he was underage and playing guitar.

At 19, while stationed with the U.S. Army in Paris, he sat in with George Arvanitas, Johnny Griffin and Art Taylor. Then, in Copenhagen, he gigged with drummer Dick Berk and met Ted Curson in 1961. Back in the U.S., he became committed to the bass in 1964, practicing about ten hours a day. He was jamming in Seattle with local musicians - Larry Coryell and Randy Brecker were among his young compatriots - at such places as the Penthouse, where Miles, Coltrane and Bill Evans would perform; David would play opposite them and occasionally sat in with the visiting giants. Also, for two years Friesen played piano and bass at a coffee house called the llahngaelhyn owned by bassist Jerry Heldman.

After a long tenure touring with Elmer Gill, who played with Charlie Parker and the Lionel Hampton band; Friesen opened his own coffee house in 1973 in Portland where he and his family make their home. Word began to circulate and his gigs assumed a different perspective as he hooked up with John Handy and others. Jazz education also entered his sphere of interest, and he became a faculty member of the National Stage Band Camps for a couple of summers working with Marian McPartland, John La Porta, Phil Wilson, and the Jamey Aebersold combo clinics.

Joe Henderson was his next association, which was followed by a 1975 summer tour of Europe with the Billy Harper Quintet. This tour opened new doors and led to stints with Stan Getz, Sam Rivers, Kenny Drew, George Adams and Danny Richmond (records with the latter three), and concerts with Dexter Gordon and Mose Allison. Then in 1976-77, he joined Ted Curson, who showcased Friesen's solo bass work and gave him more visibility in the jazzscape.

While on tour in September 1977, the Ted Curson group, of which David Friesen was a primary member, gave to the jazz studies students at Western Washington University in Bellingham, a very moving and successful clinic. Several days later at the Monterey Jazz festival, Friesen captured the entire audience of more than 7,000 as he opened the festival with a bass solo – sitting on a drum stool, cello-style.

With barely half of 1977 gone, Friesen was joined by the imaginative young guitarist John Stowell; together they geographically dotted the West Coast from B.C. to L.A. with performances and clinics, garnering more fans along the way.

Musical associations with legendary pianist Mal Waldron and f lutist Paul Horn resulted in duet albums with each man, and several concert tours in Europe and America. In August of 1983, Friesen accompanied Paul Horn on a historic 4 week, 18 concert tour of the Soviet Union.

David Friesen has recorded over 78 CD's as a leader/ co-leader and appeared as a sideman or featured artist on more than 100 recordings. He has performed and/ or recorded with many of the great names and legends of jazz including: Stan Getz, Dexter Gordon, Joe Henderson, Sam Rivers, Michael Brecker, Bud Shank, Dizzy Gillespie, Woody Shaw, Freddy Hubbard, Art Farmer, Clark Terry, Joe Venuti, Mal Waldron, Jaki Byard, Kenny Drew Sr., Chick Corea, Milt Jackson, Slim Gaillard, John Scofield, Philly Joe Jones, Elvin Jones, Paul Motian, Jack Dejohnette, Airto Moreira, and many others. He has performed in concert as a soloist (Friesen is one of two or three bassists in the world that is able to play a solo concert and keep an audience riveted) and with his own groups throughout the United States, Canada, United Kingdom, Sweden, Denmark, Norway, Germany, Belgium, Switzerland, The Netherlands, France, Spain, Portugal, Italy, Austria, Hungary, Slovenia, Turkey, Poland, Japan, Czech Republic, Ukraine, New Zealand, Australia, China and South America.

Friesen's music, which is imbued with certain ingredients of jazz, is also characterized by folk- flavored things and classical and Jewish veins with substantial spontaneity, lyrical strength, warmth and creative discoveries in the musical wilderness.

Accomplishments:

* Listed on a recent Jazz Bass Survey by jazz educators as one of the 24 most influential bassists in the history of jazz. * Inducted into the Oregon Music Hall of Fame at the first induction ceremony Sept. 2007 * Most Valuable Musician, Monterey Jazz Festival 1977 * Winner, DownBeat Critics' Poll: Bass Violin TDW * Voted One of Ten New Super Stars for the '80's, Japan Swing Journal * Four 5-Star Album Reviews - DownBeat * Served on the NEA panel for Jazz applications in Washington, D.C. 1983 * Through the Listening Glass', Inner City Records, Voted By Los Angeles Examiner as one of the ten best jazz albums of the decade for the '70's. * Cover feature Jazz Times Magazine 1987 * David Friesen has written two musical scores for animated shorts, both of which were Academy Award nominees. * Recipient of Three NEA Jazz Performance Grants. * Nominated best Jazz Bassist, American Jazz Awards 1997 * “Four To Go” chosen as one of the five best Jazz CD's for 1996/Jazz Times Critics' Picks Poll * “The Name of a Woman” chosen as one of the five best Jazz CD's for 2001/Jazz Times Critics' Picks Poll * “The Name of a Woman” chosen as 4th best Jazz import of the year in Japan by Swing Journal Jazz Magazine * David Friesen has written two books published by Hal Leonard Publishers: “Departure” “Years Through Time” * 2000 Editors' Winner/Best Jazz Musician/City Search Best of Portland * David Friesen is included in a recent jazz bass poll as one of the 100 Greatest Jazz Bassists of all time. * David Friesen was inducted into the Oregon Jazz Society Hall of Fame May 2012. * David Friesen's original composition Playground placed 2nd in the 2014 International Songwriting Competition with over 18,000 applicants.

Awards

Listed on a recent Jazz Bass Survey by jazz educators as one of the 24 most influential bassists in the history of jazz.

Inducted into the Oregon Music Hall of Fame at the first induction ceremony Sept. 2007

Most Valuable Musician, Monterey Jazz Festival 1977

Winner, DownBeat Critics' Poll: Bass Violin TDW

Voted One of Ten New Super Stars for the '80's, Japan Swing Journal

Four 5-Star Album Reviews - DownBeat

Served on the NEA panel for Jazz applications in Washington, D.C. 1983

Through the Listening Glass', Inner City Records, Voted By Los Angeles Examiner as one of the ten best jazz albums of the decade for the '70's.

Cover feature Jazz Times Magazine 1987

David Friesen has written two musical scores for animated shorts, both of which were Academy Award nominees.

Recipient of Three NEA Jazz Performance Grants.

Nominated best Jazz Bassist, American Jazz Awards 1997

"Four To Go" chosen as one of the five best Jazz CD's for 1996/Jazz Times Critics' Picks Poll

"The Name of a Woman" chosen as one of the five best Jazz CD's for 2001/Jazz Times Critics' Picks Poll

"The Name of a Woman" chosen as 4th best Jazz import of the year in Japan by Swing Journal Jazz Magazine

David Friesen has written two books published by Hal Leonard Publishers: "Departure" "Years Through Time"

2000 Editors' Winner/Best Jazz Musician/City Search Best of Portland

Inducted into the Oregon Music Hall of Fame at the first induction ceremony Sept. 2007

Friesen was inducted into the Oregon Jazz Society Hall of Fame May 2012

David Friesen's original composition Playground placed 2nd in the 2014 International Songwriting Competition with over 18,000 applicants.

Gear

Hemage bass, Fohhn speakers, Acoustic Image Amplifier, L.R. Baggs preamp