Based in Austin, TX, Dena Taylor is a jazz vocalist who harkens back to the days of smoke filled clubs and smoky voiced chanteuses. Her sound is solid; without a lot of vocal gymnastics in the Jazz Standards she covers. She inhabits the songs and makes them her own – feeling happiness, anger, joy, sorrow, love and hate. She draws listeners in and allows them to relate to these songs all over again. Dena was named “Best Female Jazz Artist of the Year” by Indie Music Channel in 2014. Her album “The Nearness of You” showcases her vocal talents and reminds us that even though she is a “seasoned” artist singing Standards, these songs don’t lose their ability to move and touch the audience just because they may have fallen out of vogue.
Dena is so full of passion for these songs that her jovial attitude can’t help but be contagious. An engaging personality, Dena wants to share her love of Jazz Standards and the American Songbook with her audience. She has honed her craft over the years – spending 12 years abroad serving her country in the US military and, whenever possible, performing with touring USO shows. Then, upon her return, Dena settled in Florida where she took to the stage as a member of the prestigious Cocoa Village Playhouse “Gold Star” company. She also began to reestablish her solo career and released her cd “Round Midnight” in 2008. With a voice that contains a bit of a knowing edge reminiscent of Gladys Knight in her prime, Dena became a “go to” vocalist for national Jazz and Blues groups touring in Florida.
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Together, the story that Dena’s voice and the instrument tells is something special. James McQuiston, Neufutur Magazine (You've Changed, rel. 2016)
As executive producer, Dena makes spot on artistic choices on all 9 songs. Although Dena Taylor has several exceptional albums under her belt, this new collection of re-invented classics is head-and-shoulders above the rest. Bree Noble, CEO Women of Substance Radio (You've Changed, rel. 2016)
The music itself is touching, with Taylor’s unparalleled vocals breathing new life into classic songs. The tracks are further bolstered through a production and overall instrumentation that allows for a calm and cozy feeling to issue forth, without too much in the way of startling or otherwise jarring noises. James McQuiston, NeuFutur Magazine (Lullabies, rel