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Adrian Litvinoff

Adrian Litvinoff – Basses & ComposerAdrian was musically active from childhood but took some time to find his way. Piano and violin lessons were of limited appeal so in his teens he gravitated to performance in jazz groups with friends, playing piano. A lack of bass players encouraged him to take up electric bass and this opened the way to exploring many more musical styles, all of which were close at hand in London’s vibrant music scene of the mid to late 1960s. Jazz and Blues bands led to paid work around town, including at the Coffin Club, formerly Ronnie Scott’s in Gerrard Street, where the drummer John Stevens and singer Maggie Nichols were wont to come by and sit in. A psychedelic rock band formed from school provided an early opportunity for Adrian to begin composing, and played at venues including Eel Pie Island. Meanwhile a ‘gap year’ job at Swiss Cottage Record Library offered him the opportunity to expand his listening to the latest releases from the US and UK. In 1969 Adrian travelled overland through the Middle East to India and Nepal, bringing him personal encounters with music of other cultures, and this interest grew during his time at York University. Although studying English and Related Literature, it was in the Music Department that he was often to be found. Student bands came and went, one with avant-garde pianist Steve Beresford. At this time Adrian formed his first full-time band with his close friend and musical companion Stuart Cohen, a fine guitarist and song-writer. Adrian relocated to London in 1973. He began a jazz fusion band, Fatal Error, which included saxophonists Joseph Kucera (aka Saxophone Joe), Steve Pheasant and Shaun Bergin as well as John Dennis, piano and Richard Burgess, drums. The band gigged around London including regular appearances at the Three Horseshoes in Hampstead and the historic Troubador coffee bar in Old Brompton Road. Another rock band with Stuart Cohen played clubs and support spots at colleges and festivals. Adrian continued to study piano and composition under Peter Sandler, attending classes at the City Lit. He began writing for diverse formats including big band, and found occasional arranging work and recording sessions, even including a Nigerian Hi-life band. In 1975 Adrian moved to Oxford, where the Old Fire Station Arts Centre offered a base to expand his activities. He began by conducting a community orchestra and establishing a jazz workshop.

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"A significant composing talent" - Ian Mann The Jazzmann "A quite virile assay of post–bop modes" - Euan Dixon, Jazz Views

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