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Allan Vache

Allan Vache was graduated from Roosevelt Elementary School, Rahway Junior High School, and Rahway High School, Rahway, New Jersey 1959-1971. He also attended Jersey City State College, Jersey City, New Jersey 1971-1975. At this time he studied with David Dworkin of the Metropolitan Opera Orchestra, and independently with famed jazz artist Kenny Davern.

From 1972-1975 Allan also performed many professional engagements with such jazz greats as Bobby Hackett, Wild Bill Davison, Pee Wee Erwin, Gene Krupa, Dick Hyman, Max Kaminsky, Clark Terry, Dick Wellstood, Ed Hubble, Cliff Leeman, Bob Haggart, Jack Lesberg, and many others. He also made numerous appearances with his brother, famed jazz cornetist Warren Vache, Jr. From 1974-1975 Allan appeared in the Broadway musical "Doctor Jazz" at the Winter Garden theater, starring Bobby Van and Lola Falana. He performed with a band that appeared onstage, and Luther Henderson and Dick Hyman wrote instrumental arrangements.

In late 1975 Allan joined "The Jim Cullum Jazz Band" of San Antonio, Texas, formerly "The Happy Jazz Band." He traveled extensively with this band to Europe, Australia, and Mexico, as well as to many concert and festival appearances throughout the U.S. He has recorded nine albums and compact discs with this band, including the only jazz CD of the entire score of Gershwin’s "Porgy and Bess," released on CBS Masterworks records. Concerts of "Porgy & Bess," many featuring opera great William Warfield as narrator, were performed by Vache and the band throughout the Western hemisphere, including The Kennedy Center in Washington D.C., and "The Cervantino Arts Festival" in Mexico City, for the U.S. State Department.

Allan has appeared in several "World Series of Jazz" concerts in San Antonio. These concerts featured the "Cullum" band alongside such jazz luminaries as Benny Goodman, Pete Fountain, Joe Venuti, Teddy Wilson, Scott Hamilton, Bob Wilber, and many others. Allan appeared with Jim Cullum at Carnegie Hall at the "Tribute to Turk Murphy" concert in January 1987. He has also performed with Culllum on the CBS Morning News, and PBS television show "Austin City Limits." He also performed on NPR’s "A Prairie Home Companion" with Garrison Keillor, and was a regular performer on PRI’s "Riverwalk" Live from the Landing," from 1987-1992. This program aired on over 200 public radio stations in the U.S. and abroad. Many of these shows are still rebroadcast today.

In the summer of 1992 Allan left San Antonio to pursue a free lance career. Since that time he has appeared as a solo performer at several jazz festivals and parties around the country and abroad. He has appeared with pop performers Bonnie Rait and Leon Redbone and can be heard on the soundtrack of the 1998 film “The Newton Boys”.

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Jazz Near Me

All Smiles on Hilton Head Island

Read "All Smiles on Hilton Head Island" reviewed by Gloria Krolak


Fly, drive, bike or walk, if you can, to The Jazz Corner on Hilton Head Island in South Carolina. But make reservations first or you may be going home early. This intimate jazz and blues club is booked solid every night weeks in advance, and I do mean every night. So it's been for 15 years, an incredible feat by owners Bob and Lois Masteller. The club, with its well-planned sound system and sightlines for all 100 seats, was named ...

135
Album Review

Allan Vach: Ballads, Burners and Blues

Read "Ballads, Burners and Blues" reviewed by J. Robert Bragonier


Arbors Records has done a yeoman’s job of preserving the classic jazz sounds of the ‘30s through ‘50s by supporting and recording the best of contemporary musicians playing in those styles. With this recent release, Arbors has succeeded once again. Allan Vaché, the younger son of traditional jazz bassist and bandleader Warren Vaché, Sr. (Allan’s older brother is prominent cornetist/trumpeter Warren Vaché, Jr.), here surrounds himself with a group of close friends and exemplary musicians, and the ...

91
Album Review

Various: The International Allstars Play Benny Goodman, Volume Two

Read "The International Allstars Play Benny Goodman, Volume Two" reviewed by Dave Nathan


This is the other shoe dropping on the International Allstars tribute to Benny Goodman and the various small groups he headed. This album comes from the same live concert in Hamburg that produced Volume 1 released in 2000. Obviously there was enough for two CDs and why they weren't packaged as a 2 CD set is puzzling. But no one can point the finger at Nagel Heyer claiming that they were trying to get 2 CDs where one would suffice. ...

99
Album Review

Allan Vach: Allan and Allen

Read "Allan and Allen" reviewed by Dave Nathan


Allan Vaché and Harry Allen follow in the long and illustrious traditions of the jazz quintet with this high quality studio recording. Joined by a first class rhythm section of Eddie Higgins on piano, Phil Flanigan on bass and Eddie Metz on drums, they journey through 13 tunes, most of them familiar standards, and take almost a generous 70 minutes to complete their trip, for which we should be grateful. Vaché has been one of those in the forefront of ...

102
Album Review

The Allan Vach: Revisited!

Read "Revisited!" reviewed by Jack Bowers


The title of this session refers to the fact that Vaché's quartet is “revisiting" the music of the classic Sidney Bechet/Muggsy Spanier recordings without “recreating" it (which would have been not only foolish but unnecessary). Only two songs put on wax by Bechet/Spanier ("China Boy," “Four or Five Times") are included along with one of Bechet's compositions ("Promenade aux Champs-Elysées") and another by Spanier ("Relaxin' at the Touro"). As with the rest of this warm tribute to two acknowledged masters ...

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Interview

A Swinging Evening for Jazz Clarinet and More

A Swinging Evening for Jazz Clarinet and More

Source: Ken Franckling's Jazz Notes

Clarinetist Allan Vaché's mainstream jazz quintet closed out the Charlotte County Jazz Society's 2013-14 concert series Monday night at the Charlotte County Cultural Center with a swinging evening of Tin Pan Alley and jazz standards. The repertoire ranged from Cole Porter, Duke Ellington and Bob Haggart to the Benny Goodman songbook, with one brief foray to Brazil for Antonio Carlos Jobim's lovely bossa nova “Look to the Sky." Vaché's band included Jeff Phillips on piano, Charlie Silva on bass, Eddie ...

But the debut of Mr. Cullum's seven-piece group roused the audience to show-stopping cheers as it built dazzling, individualized performances of small group classics of 1920's originated by Jelly Roll Morton, Louis Armstrong and others. The septet had an exuberant spirit that flooded through both the ensemble and solos as the group expanded familiar routines with stop=time duets, breaks and fresh voicings.

The key member of the group was Allan Vaché, a clarinetist whose solos were strong and full bodied, sometimes suggesting the overwhelming intensity of Sidney Bechet. This became most apparent when Mr. Vaché gave the ensembles a colorful lift as he soared above the other horns. Mr. Cullum, a cornetist and Mike Pitsley, a trombonist, contributed to the strength of a very positive front line, which was backed by a rhythm section that managed to blend the chunky sturdiness of the 1920's rhythms with the smoother flow of the Swing Era.

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