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Andrew Scott

Toronto native and Sackville recording artist Andrew Scott has become the standard bearer for the next generation of great Canadian jazz musicians.

His many accomplishments include graduating from York University with a PhD in Musicology/ Ethnomusicology, but there is nothing academic about the way Andrew plays the guitar. His “clean, boppish style” has found him compared to everyone from Barney Kessel to Wes Montgomery. His fans include listeners the world over, including legendary musicians Gene DiNovi and George Benson.

Geoff Chapman of The Toronto Star on Andrew's debut Sackville release:

“The opening “This Could Be the Start of Something Big” could well be an omen for the talented Scott… Scott has been hiding his large light under a bushel but comes up trumps with this fine debut disc as a leader…Scott, who shows that driving, clean boppish Kessel style and has absorbed the best of Grant Green and Wes Montgomery…”

Don Brown of Wholenote Magazine on Andrew's latest "Blue Mercer":

“The leader’s playing is a delight. Scott never hogs the spotlight but his buoyant pulse can be felt throughout. In his beautifully constructed solos one can hear the influence of Barney Kessel and Kenny Burrell. And traces of Wes Montgomery turn up in spots as well. But Scott is by no means a copyist. With his assured, yet relaxed, playing he has become his own man. Highly recommended.”

Russell Carlson, JazzTimes Magazine:

"Scott saves himself for leads where his robust, authoritative tone and stunning improvisational command twist a melody like his "Blues for Sonny" around the fretboard until he’s wrung it for all it’s worth, and it’s great fun listening to him do it. This will likely be the most enjoyable album of its sort that you’re going to hear all year"

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Album Review

The Andrew Scott Quartet: The Brightest Minute

Read "The Brightest Minute" reviewed by Jack Bowers


To say that guitarist Andrew Scott's new CD, The Brightest Minute, leans backward as much as it does forward isn't a slam, it's a compliment. It's always a pleasure to hear a musician who salutes the prowess of his predecessors--in this case, masters like Billy Bauer, Johnny Smith, Tal Farlow, Barney Kessel, Jim Hall and others--and uses it as a springboard for his own musical reconnaissance. Scott's engaging quartet date consists of eight of his original compositions, ...

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