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Curley Russell

Dillon "Curley" Russell was an American jazz double-bassist, who played bass on many bebop recordings.

A member of the Tadd Dameron Sextet, in his heyday he was in demand for his ability to play at the rapid tempos typical of bebop, and appears on several key recordings of the period. He left the music business in the late 1950s.

On May 1, 1951 Russell played in the recording session for Un Poco Loco, composed by American jazz pianist Bud Powell, with Max Roach on drums. Literary critic Harold Bloom included this performance on his short list of the greatest works of twentieth-century American art.

According to jazz historian Phil Schaap, the classic bebop tune "Donna Lee", a contrafact on "Back Home Again In Indiana", was named after Curley's daughter. In 2002, she donated her father's bass to the Institute of Jazz Studies at Rutgers University.[4]

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Read "Be Bop Live" reviewed by Mark Corroto


The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming services replace CDs and LPs, which also replaced 78s and live radio broadcasts (the streaming service of its day), Parker has the possibility of ...

Album Review

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Read "Be Bop Live" reviewed by Stefano Merighi


Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...

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