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Evan
Pianist Michael Wolff Guests with Bassist Leon Lee Dorsey and Drummer Mike Clark on Evocative Tribute Album, 'Letter to Bill Evans'
Source:
Lydia Liebman Promotions
For their seventh outing together as a close-knit, collaborative rhythm tandem, bassist Leon Lee Dorsey and drummer Mike Clark tapped pianist Michael Wolff as third man in their ongoing trio adventures. Wolff, who had previously appeared with Dorsey and Clark on 2020’s Play Sgt. Pepper, was indeed the perfect choice to complete the triumvirate on this heartfelt tribute to the late, great pianist-composer known for his contributions to Miles Davis’ Kind of Blue as well as his hugely influential trio ...
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Bill Evans: Waltz for Debby
Source:
JazzWax by Marc Myers
Bill Evans performed his composition Waltz for Debby at dozens of clubs and concert halls and recorded it several times in the studio between 1955 and 1980. In my opinion, he aced it only once. Waltz for Debby sounds deceptively easy to play but it isn't. Having played Bill Evans transcriptions in my teens, I can tell you that it's loaded with complex passages that are easy to rush, trip over or simply miss the right feel. Which was true ...
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Bill Evans: Here's That Rainy Day
Source:
JazzWax by Marc Myers
I've always loved Bill Evans's solo interpretation of Here's That Rainy Day from Alone in 1968. He opens with enormous sensitivity and delivers a measured ballad reading, followed by rising intensity and swing as the tempo quickens. The master take that appears on the album never fails to thrill me. Yet despite his beauty, Evans didn't bother to hold onto it like some other songs. Perhaps he felt that the Alone version was as good as he was ever going ...
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Bill Evans: On Green Dolphin Street
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JazzWax by Marc Myers
To the best of my knowledge, there are only 10 known recordings of Bill Evans playing On Green Dolphin Street. Composed in 1947 by Bronisław Kaper (with lyrics by Ned Washington), the song was written for the film Green Dolphin Street, which was based on the 1944 novel of the same name by Elizabeth Goudge. The song suited Evans perfectly. Here are all 10 renditions: Evans first recorded the jazz standard in 1958 with the Miles Davis Sextet, a spectacular ...
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Two Bill Evans Videos Recently Uploaded
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JazzWax by Marc Myers
Yesterday, the autumn sky in New York was bumper-to-bumper with billowy clouds in all shades of white and slate grey. No rain, just a sea of moody cumulus formations muscling their way east across Manhattan. A perfect day to write with Bill Evans playing. Which led me to three videos of Evans—two that went up at YouTube recently and another from Facebook that Dave Thompson found and sent along: Here's the Bill Evans Trio in 1964, with Evans on piano, ...
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Jazz Musician of the Day: Bill Evans
Source:
Michael Ricci
All About Jazz is celebrating Bill Evans' birthday today!
Who Was Bill Evans? Bill Evans, one of the most influential and tragic figures of the post-bop jazz piano, was known for his highly nuanced touch, the clarity of the feeling content of his music and his reform of the chord voicing system pianists used. He recorded over fifty albums as leader and received five Grammy awards. He spawned a school of “Bill Evans style" or “Evans inspired" pianists, who include ...
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Bill Evans and Tony Bennett on TV
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JazzWax by Marc Myers
By October 1976, Bill Evans and Tony Bennett had recorded two albums of duets for Tony's short-lived Improv label. I've always had mixed feelings about the recordings. For me, it's strange to hear Evans as second fiddle to anyone and even stranger to hear Tony having to defer, musically, to his accompanist. But strangest of all, perhaps, is the contrasting personalities of Evans, the melancholy introvert, playing against Tony, the sunny-side-up optimist. For a long time, I've felt the two ...
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Bassist-Producer Frank Swart Releases 'Soundtrack For A Film Without Pictures' Featuring Gary Bartz, Dave Liebman, George Garzone, Bill Evans, Warren Wolf And Idris Ackamoor
Source:
Scott Thompson Public Relations
In his wide-ranging career, bassist, guitarist, arranger, composer, producer, and engineer Frank Swart has contributed to countless sessions covering a wide range of music, from rock and funk to psychedelic acid jazz. In recent times, under the Funkwrench Blues name, he has created and produced 146 singles (at the time of this writing) that have been released once every two weeks, featuring such major artists as Mike Stern, Charlie Hunter, John Medeski, Oz Noy, Fred Wesley, and the late Lucky ...
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Color Video: Bill Evans in Copenhagen, 1970
Source:
JazzWax by Marc Myers
Earlier this month, when I reviewed the newly released album Bill Evans: Treasures (Elemental Music), I wrote about the tranquilizing affect that Denmark seemed to have on Evans. I pointed out that many of his best live recordings were made there, especially between 1965 and 1970. As you listen to Treasures, you can hear that Evans was thoroughly relaxed and it shows in his measured playing, delicate attack and lyrical optimism. Earlier this week, Dave Thompson brought to my attention ...
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Smoke Jazz Club Announces June Line-Up With NEA Jazz Master George Coleman, Vocal Great Mary Stallings, A New Project From Vincent Herring, An Album Release By Orrin Evans All-Star Quintet, And More
Source:
AMT Public Relations
George Coleman Quintet (Jun 1-4); Orrin Evans All-Star Quintet record release (Jun 8-11); Vincent Herring and Something Else! (Jun 15-18); Mary Stallings (Jun 22-25); and more… Rated the #1 Jazz Club in New York City (Secret NYC), Smoke Jazz Club kicks off the start of summer with some of today’s living legends. NEA Jazz Master George Coleman returns with his special quintet (Jun 1-4), soulful saxophonist Vincent Herring gets inspired by the classic Blue Note album Something Else! (Jun 15-18), ...
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Evan
