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Gerard Presencer

Gerard Presencer is universally recognized as one of the best trumpet / flugelhorn players in his field. His most celebrated recorded performance, which has lead to his being described as "subliminally, the most famous trumpeter in the world", is his solo work on the 3 million selling album by US3, "Hand on the Torch" (1993) on Blue Note. It is Gerards' trumpet that is featured so heavily on the big hit of that CD, Cantaloop.

Presencer was born in London on September 12, 1972. At the age of 11 he became a member of the National Youth Jazz Orchestra and at the age of 15 he made his recording debut with the alto Peter King.

Presencer had been playing with the National Youth Jazz Orchestra for nearly five years, when he got his first important break. He was spotted on a 1988 jazz boat trip out of Southampton, where he was playing with saxophonist Tim Colwell, by Clark Tracey. The celebrated drummer/leader immediately asked Presencer to dep for Guy Barker in his quintet, and subsequently formed a quartet, featuring the 15-year-old as his sole front-line player. "Learning to listen to the rhythm section" and " relying on my imagination, having no saxophone to fall back on, to share solos with" are the two vital skills Presencer recalls learning in Tracey's band, but it was his securing of the trumpet chair in the prestigious Pizza Express Modern Jazz Sextet that really launched him on the London jazz scene: "That was very important, because I got to play, week after week, with some extremely good players - sharing a front line with Alan Barnes and Dave O'Higgins, and their occasional deps, Tim Garland and Andy Panayi - and it was about then, when I was 18, that I began playing with Stan Tracey, in his big band, octet and septet." This last connection was responsible for one of Presencer's highest-profile appearances, at the Queen Elizabeth Hall concert marking Stan Tracey's fiftieth year as a professional musician in 1993.

At the age of 18 he was first noticed on the world stage for his work with Rolling Stones drummer Charlie Watts, whom he continues to work with; writing, producing and playing. In 1991 Charlie Watts formed his Quintet with Presencer, saxophonist Peter King, bassist David Green and pianist Brian Lemon.The group toured the world and released several albums in the next years.

"When I was 18-20 I played with all of the bands on the now legendary label Acid Jazz", Presencer recalls. "I toured the world several times with their most successful act, The Brand New Heavies. I also played on the early Jamiroquai records. I wrote and played for another funk band of that period, Incognito on the album '100° and rising'. This was around the same time that I got a call from the then unknown band US3 to play on their track Cantaloop, which later went on to sell 3 million worldwide.This solo is one of the most famous in jazz, people still hassle me about it to this day! I played it in one take. During this period, I wanted to develop my solo career and played with many of the young jazz musicians coming through the London scene in the 80's and 90's, such as: Courtney Pine, Jason Rebello, Tony Remy, Steve Williamson, Nigel Hitchcock etc."

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Album Review

Gerard Presencer & Danish Radio Big Band: Groove Travels

Read "Groove Travels" reviewed by Roger Farbey


Something of a child prodigy Gerard Presencer became a member of Britain's acclaimed National Youth Jazz Orchestra in 1983 at a mere eleven years of age and NYJO's youngest trumpeter. Along with other young talented UK musicians such as Courtney Pine and Tommy Smith, Presencer was part of a new wave of British jazz. He's played in bands led by Stan Tracey and Charlie Watts but perhaps his most well-known role occurred at age 18 when US3 commissioned him to ...

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140

Festival

London Jazz Festival: We All Love Ella / Charlie Hunter / Gerard Presencer

London Jazz Festival: We All Love Ella / Charlie Hunter / Gerard Presencer

Source: All About Jazz

"I didn't want it to end," a woman in front of me was saying to her friend as the London jazz festival's We All Love Ella opening show wound up on a vocal-relay race through A Tisket a Tasket that threatened to blow the packed Festival Hall into the street. I did. I wanted to get up to the West End to catch Charlie Hunter, the fearsome American avant-funk guitarist, and maybe get the word on double-bass legend Charlie Haden's ...

"Young British hornplayer Gerard Presencer continues to fulfil his early promise by updating Donald Byrd's thing." BBC Music Magazine

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Music

Recordings: As Leader | As Sideperson

I'm Strong

Giant Sheep Music
2019

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Groove Travels

Edition Records
2016

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Chasing Reality

Signature
2003

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Platypus

Signature
1998

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