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Guillermo Bazzola

Guillermo Bazzola is guitarist, composer, educator, journalist; b. Santos Lugares, Buenos Aires, Argentina, 21 October 1962. His father, Osvaldo Bazzola (Sept. 7, 1926-March 5, 1982),and mother, Elida Hayde Raffa (b. July 24, 1931), were both born in Santos Lugares.

While a child, he spent many hours listening to the family s record collection, which included LPs of jazz, bossa nova, tango, classical music and Argentine folk music. His first musical instruments were a harmonica and a recorder, and later, when he was 11, he found a guitar at an uncle's house who gave it to him as a present. By that time, he saw the guitarist Oscar Aleman, who impressed him much. At 15, he switched to electric. His first musical heroes were Carlos Santana and some rock players like Ritchie Blackmore. Thanks to an older friend, he discovered jazz-rock, and got interested in John Abercrombie, John Mc Laughlin and Allan Holdsworth.

Around 1979, while studying with guitarist Cesar Silva, he started to play with some amateur groups, where he also started to write tunes. After his father's death in 1982 he continued studying mostly in a self-taught manner, transcribing much music by Dexter Gordon, John Coltrane and McCoy Tyner and modern players like Kenny Wheeler, Wayne Shorter or Richie Beirach, who became his early influences as a jazz composer. In the mid 80s, while studying Sociology at the Universidad de Buenos Aires, he got his first important gig, in the big band of vibist-composer Mariano Tito.

In 1989 he won a scholarship and was invited to participate in the Tercer Seminario internacional de Jazz de Las Lenas , in Mendoza, Argentina. Peter Sprague was the guitar instructor, and due to his participation, Guillermo was awarded with the Partners of the Americas scholarship as well as an invitation to teach at Las Las in 1990 as assistant professor.

During 1990-91, he studied harmony and composition privately with Pedro Aguilar and started his career as a bandleader. Also, in 1994, he began to write for magazines and newspapers, first of all, CD Review. In 1994/95, he played several concerts with trombonist Conrad Herwig during his visits to Argentina. In 1995, he travelled to New York and studied briefly with John Abercrombie. In 1997, he was invited by Partners of the Americas to give lectures about Argentine popular music at Cal State University and some high schools of the L.A. Area. In 1998, he played with guitarist Sid Jacobs at the Guitarras del mundo festival, and at the II Jazz Festival Argentina-Brazil , which took place at the General Consulate of Argentina in New York City.

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18
Album Review

Guillermo Bazzola: Lost & Found

Read "Lost & Found" reviewed by Friedrich Kunzmann


Argentinian guitarist Guillermo Bazzola's deep admiration for late flugelhornist and composer Kenny Wheeler began to blossom back in 1979, when Bazzola was only 17 years old and first discovered the trumpet player's early oeuvre. His love for the Canadian pioneer of post-romantic jazz manifests itself in, among other things, the name of the independent label the guitarist created as an outlet for releasing his music. It's called “Gnu Town"--a play on Wheeler's much revered 1975 studio album Gnu High (ECM), ...

2
Album Review

Guillermo Bazzola: Lost & Found

Read "Lost & Found" reviewed by Giuseppe Segala


La musica di Kenny Wheeler serba una nicchia preziosa di estimatori pari alla sua qualità e originalità. Il chitarrista di origine argentina Guillermo Bazzola apparecchia questo degno omaggio al compianto trombettista, penetrando nella sua personalità con sensibile attenzione, con rispetto e delicatezza. Bazzola, nato e cresciuto in Argentina, si è trasferito nel 2002 a Madrid, dove svolge intensa e apprezzata attività musicale e didattica. Tra le sue collaborazioni, ricordiamo quelle con Franco D'Andrea, Conrad Herwig e David Friesen. Registrato a ...

178
Album Review

Guillermo Bazzola & Summer Quartet: Alas

Read "Alas" reviewed by John Kelman


While Argentinean guitarist/composer Guillermo Bazzola spends most of his time these days in Spain, where aside from leading several projects he is active as a music educator, his heart remains in Buenos Aires. That's not to say, however, that his music is confined to extrapolating on the ethnicity of his native country. Alas, recorded with his Summer Quartet is, in fact, a recording that could have been made anywhere. While South American influences are evident, they are no more so ...

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Music

Recordings: As Leader | As Sideperson

Lost & Found

Gnu Town
2020

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Alas

BAU Records
2004

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Alas

BAU Records
2001

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