Jamie Baum Recordings

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Live Reviews

North Sea Jazz Festival 2014

CD/LP/Track Review

In This Life by Vincenzo Roggero
In This Life by Hrayr Attarian
In This Life by Franz A. Matzner

Live Reviews

Jamie Baum Septet Live at Joe's Pub, NYC

CD/LP/Track Review

Solace by AAJ Italy Staff

Live Reviews

Jamie Baum Septet at Wellesley College, MA

In This Life
Sunnyside Records
2014
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In This Life
Sunnyside Records
2013
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Solace
Sunnyside Records
2008
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Septet Solace
Sunnyside
2008
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Moving Forward,...
OmniTone
2004
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Sight Unheard
Sunnyside
1997
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Showcase

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Gnosis by David Virelles
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Blue Maqams by Anouar Brahem
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The Arrangement by Sylvia Brooks

Story of the Day

Jazz and the blues--because together this musical brother and sister speak from our nation's days of the current cultural affairs and the authenticity and truth of a place where the rhythms held the pulse and the drums the heartbeat, representing every step closer the meat on the bone
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Jazz and the blues--because together this musical brother and sister speak from our nation's days of the current cultural affairs and the authenticity and truth of a place where the rhythms held the pulse and the drums the heartbeat, representing every step closer the meat on the bone. Feet in the dirt, or barefoot on a stage with sequins--it's soul beats in my chest. I was first exposed to jazz while others listened to surf music in the '50s and '60s, it was Monk, Miles, Satchmo and Ella, Rosemary Clooney and Julie London followed. Margaret Whiting, Les McCann, Willie Bobo, Andy Simpkins, Snooky Young, Bill Basie and Helen Humes. The first time I heard Topsy, Take 2, I about passed out at the age of ten. I've hung with Les McCann who more than 30 years after our first meeting became my duet partner on my CD, Don't Go To Strangers. Karen Hernandez from the start, Jack Le Compte on drums, Lou Shoch on bass, Steve Rawlins as my arranger and pianist, Grant Geissman - guitar genius, Nolan Shaheed, Richard Simon, and more. The big boys. My Red Hot Papas. The best show I ever attended was... I met Helen Humes first back in 1981 and helped turn one Playboy Jazz Festival night into her tribute, bring the Basie Band to stage, her joy boys. Before she took the stage for the last time to sing, “If I could Be With You One Hour Tonight” thousands of copies of the newspaper I wrote for carried her story. It was kismet, her being held by Joe Williams backstage. Soon in my life were the great Linda Hopkins who told me I sang the song she wrote better than her, which floored me of course, the energizing Barbara Morrison and the stellar Marilyn Maye who guided me professionally. My advice to new listeners... let your backbone slip and feel your body stripping back the barriers that prevent us from being one with the music. Remember none of us are strangers, we just haven't met yet.
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By Mary Bogue
Member since: 2014