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John Shaddy
Susie Meissner: I Wish I Knew
by Jack Bowers
I wish I knew why the talented Philadelphia-based singer Susie Meissner chose to open her salute to the Great American Songbook with the only tune on the album that doesn't really qualify: Curtis Lewis' The Great City." It's not a bad song but Cole Porter or Johnny Mandel it ain't. On the bright side, Meissner recovers quickly on the fourth album under her name with a burnished rendition of the title theme, a memorable composition by the legendary Hollywood songwriting ...
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by C. Michael Bailey
Over the past decade and three previous recordings, Philadelphia-based vocalist Susie Meissner has crafted an intelligently conceived and thoughtfully paced survey of the Great American Songbook. Meissner's considerations of the standard jazz repertoire, in concert with pianist John Shaddy's sturdy arrangements and educated performance manner, have emerged, evolving from chaste and reverent beginnings, into rich and supple layerings of stylistic and technical outreach with each subsequent recording. Meissner's debut, I'll Remember April (Lydian Jazz, 2009), emerged as a ...
read moreSusie Meissner: Tea for Two
by C. Michael Bailey
Natural but determined evolution makes for well conceived and produced projects. Vocalist Susie Meissner has proved this statement as she progressed from her debut recording I'll Remember April (Lydian Jazz, 2009), through her sophomore effort, I'm Confessin' (Lydian Jazz, 2011) to the present Tea for Two. Using a well-worn repertoire, Meissner, mostly with the support of pianist John Shaddy and his regular rhythm section (bassist Lee Smith and drummer Dan Monaghan), has steadily moved from solid, if not predictable, arrangements ...
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by C. Michael Bailey
Philadelphia-based vocalist Susie Meissner has been surveying the Great American Songbook for the past decade and some. Her approach is uncomplicated, using simple head arrangements, presenting the songs that made Tin Pan Alley noteworthy in a straightforward and authentic fashion, and recalling the original intentions of the composers. Hers is an archival and entertainment endeavor not unlike Linda Ronstadt's swing with Nelson Riddle, which resulted in What's New (Asylum, 1983), Lush Life (Asylum, 1984), and For Sentimental Reasons (Asylum, 1986), ...
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