Louis Hayes Recordings

Help us complete the Louis Hayes discography. Learn how here.

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Serenade for Horace
Blue Note Records
2017

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Return of the Jazz Communicators
Smoke Sessions
2014
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The Time Keeper
Allegro Music
2009
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Maximum Firepower
Savant Records
2007
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The Candy Man
TCB Music
2001
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Quintessential Lou
TCB Music
2000
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The Real Thing
32 Records
1999
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The Super Quartet
Label Bleu
1994
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Ichi-Ban
Label Bleu
1989
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The Real Thing
Label Bleu
1978
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Alte Autos - Modern Jazz 1. Folge
Label Bleu
1963

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Louis Hayes
Label Bleu
1960

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Oblivion by Gerald Beckett

Story of the Day

I love jazz because it is spontaneous use of notes, and infectious rhythms, with split-second thought. It is like playing a sport at high speed. I first remember hearing it played in a public broadcast television station in Puerto Rico where they were playing post-bebop jazz with a bluesy style that surpassed what some rockers were trying to do in the late 60’s
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I love jazz because it is spontaneous use of notes, and infectious rhythms, with split-second thought. It is like playing a sport at high speed. I first remember hearing it played in a public broadcast television station in Puerto Rico where they were playing post-bebop jazz with a bluesy style that surpassed what some rockers were trying to do in the late 60’s. A friend also played “Who’s Afraid of Virginia Woolf”, Jimmy Smith’s organ and big band album. It blew me away. I was hooked.
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By Nelson Gonzalez
Member since: 2012

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Featured Albums

Oblivion
Gerald Beckett
Summit Records, 2017
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Sorry Grateful
Allen Austin-Bishop
Self Produced, 2017
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Don't Blink
Unhinged Sextet
OA2, 2017
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The Arrangement
Sylvia Brooks
SBM Music, 2017
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Louis Hayes Recordings

Oblivion by Gerald Beckett

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