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Michael Eaton

Michael Eaton (b. 1981) is a Brooklyn, NY based saxophonist, composer, and educator. As a saxophonist and improvising artist, his professional career to date has spanned a variety of idioms, especially modern jazz and free improvised music. He embraces a progressive and holistic vision of jazz, cognizant of its rich history and development, but reaches for a personal outlook with an eye towards future possibilities.

Michael's releases include his 2014 debut album on Destiny Records, Individuation, which highlighted angular themes, intricate minimalistic vamps, freebop, Cageian prepared piano, and multilayered open platforms. The band is joined on several cuts by NEA Jazz Master and saxophonist David Liebman. Scott Yanow (All Music Guide, Downbeat) calls Individuation a "rather impressive debut, the start of what will surely be a very significant solo career", and Vitto Lo Conte writes in Music Zoom that it signifies "a great debut album of a saxophonist and a quartet who seem to have all it takes to get noticed in the world of contemporary jazz".

Individuation's second album, Dialogical, was released on Destiny in 2019. Centered around the theme of dialogical thinking and multiplicity, it features compositions and improvisations with a large cast of musicians: Jon Crowley (trumpet), Brittany Anjou (vibraphone, Origin Records), Cheryl Pyle (flute), Sean Sonderegger (tenor sax; Skirl Records), James Brandon Lewis (tenor sax), Enrique Haneine, and a very special guest artist, Lionel Loueke (guitar and vocals; Blue Note Records).

Michael frequently collaborates with bassist/multi-instrumentalist Adam Minkoff (Doyle Bramhall II, Amy Helm) in a plethora of idioms, often at Rockwood Music Hall on New York's City's Lower East Side.

In May 2013, Minkoff celebrated the 100th anniversary of Igor Stravinsky's Rite of Spring by transcribing, arranging, and performing a rock octet edition of the piece. Following an electrifying, standing room only Rockwood Music Hall show, the ensemble went into Bunker Studio in November 2014 to record the Rite and a vocal suite by Stravinsky, for which Michael played alto saxophone and flute. The album, "Til the End My Dear: Arrangements of Stravinsky" was released in April 2018.

Eaton and Minkoff also engage in curation and presentation of special concert presentations. On June 8, 2015, they commemorated John Coltrane's iconic 1965 free jazz album, Ascension, with "Michael Eaton and Adam Minkoff Present John Coltrane's Ascension" at ShapeShifter Lab in Brooklyn. Featuring a stellar cast of NYC improvisers, the concert received coverage by the New York TImes's Nate Chinen, as well as the Village Voice's Jim Macnie, who cited it as one of the top nine concerts to see that week in New York City. The ensemble's personnel included saxophonists Michael Attias, Daniel Carter, Sean Sondergger, James Brandon Lewis, and Briggan Krauss; trumpeters Dan Brantigan, Jonathan Finlayson, and Graham Haynes; guitarist Ava Mendoza; pianist Anthony Coleman; and drummers Nick Anderson and Calvin Weston. On December 1, 2017, Eaton and Minkoff celebrated Coltrane again, this time for the 50th anniversary of two 1967 free jazz classics: Interstellar Space and Stellar Regions. Over the course of two sold out sets at Williamsburg's National Sawdust, they performed Coltrane's late music with a super powered band of David Liebman, Marc Ribot, Jamie Saft, Nick Anderson, and Anthony Cole.

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10
Album Review

Seth Andrew Davis, Michael Eaton, Kyle Quass and Damon Smith: Ghost Tantras

Read "Ghost Tantras" reviewed by Troy Dostert


In 2020, saxophonist Michael Eaton and electronic improviser & guitarist Seth Andrew Davis together formed Mother Brain Records, designed to highlight some of the more experimental music coming out of the Midwest. The label has headquarters in Kansas City, Missouri but, if Ghost Tantras is any indication, we will not be hearing much that connects directly to that city's roots in early jazz. Those craving new avenues for adventurous free improvisation will find much to like, however. Combining ...

3
Album Review

Michael Eaton: Dialogical

Read "Dialogical" reviewed by Jerome Wilson


Saxophonist Michael Eaton covers a lot of ground on this CD, using several different configurations of musicians in a program that encompasses angular, funk-laced fusion, airy sax and flute duets, a multi-saxophone workout and minimalism in the Philip Glass style. A key sideman here is guitarist Lionel Loueke whose unique style of playing and singing appears on four tracks. His clipped Morse-code vocals and guitar thread through the angular rhythms of “Juno" and “Aphoristic," complementing the swirling, choppy ...

7
Album Review

Michael Eaton: Dialogical

Read "Dialogical" reviewed by Troy Dostert


A saxophonist and composer with uncommon ambition, Michael Eaton seems to recognize no limits whatsoever on his craft. He's played in virtually every style imaginable: free improvisation, Latin jazz, post-bop, classical, reggae and rock, just to scratch the surface--and he keeps company with a cross-section of today's cutting-edge players, including James Brandon Lewis, Michael Attias and Jonathan Finlayson, all of whom appeared in a much-feted concert he put together with Adam Minkoff in 2015 to commemorate the fiftieth anniversary of ...

10
Album Review

Michael Eaton: Individuation

Read "Individuation" reviewed by Ben Scholz


On his debut album as a leader, saxophonist Michael Eaton presents a collection of original material featuring a rotating group of jny: New York City based musicians including Jon Crowley on Trumpet, David Liebman on Saxophone, Brad Whiteley on piano, bassists Daniel Ori and Scott Colberg, and Shareef Taher on drums. Exhibiting his artistic and personal development while ambitiously bridging the worlds of lyrical themes, Eaton intricately combines rhythmic minimalistic vamps, free-bop, Cageian prepared piano, and multi-layered open ...

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Album Review

Michael Eaton: Individuation

Read "Individuation" reviewed by Dan Bilawsky


Individuation, as a concept, can be seen as a parallel to the process of making music. In speaking one's own voice through an instrument and/or through composition, individuals manage to direct their imagination and unconscious into something tangible. Saxophonist Michael Eaton knows a thing or two about this, as demonstrated on his aptly-titled debut. On Individuation, Eaton delivers a program of distinctive originals. Cycling thoughts, sharp twists in direction, scissoring lines, fervent expressions, fenced-in passages, open pastures, ...

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Music

Recordings: As Leader | As Sideperson

Ghost Tantras

Mother Brain Records
2022

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The Maximal Effect

Mother Brain Records
2021

buy

Dialogical

Destiny Records
2019

buy

Individuation

Destiny Records
2015

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Dream of the One Sentenced to Death

From: The Maximal Effect
By Michael Eaton

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