Home » Jazz Musicians » Patricia Brennan

Patricia Brennan

Vibraphonist, marimbist, improviser and composer Patricia Brennan “has been widely feted as one of the instrument’s newer leaders.” observed The New York City Jazz Record. She inherited a deep love and appreciation for musical tradition from both parents, as well as being exposed to the musical richness of her native Port of Veracruz. She started studying music at 4 years old, playing latin percussion along salsa records with her father and listening to Jimi Hendrix and Led Zeppelin records with her mother. Also, around the same age, she started playing piano, influenced by her grandmother who was a concert pianist. 

At the age of 17, Patricia was selected from musicians all over the Americas to be part of the Youth Orchestra of the Americas. During this time, she toured every country in the Americas and performed with renowned musicians such as Yo-Yo Ma and Paquito D’Rivera. Before moving to the U. S., Patricia was already performing with the top symphony orchestras in Mexico, such as Xalapa Symphony Orchestra and Mineria Symphony Orchestra. Also, she had already won several awards on marimba competitions and young artist competitions in Mexico and abroad and was featured in the “Líderes Mexicanos” magazine in 2003. She was accepted at the prestigious Curtis Institute of Music in Philadelphia, where she was able to perform alongside high caliber musicians from all over the world and conductors such as Simon Rattle and Charles Dutoit. She also performed with the prestigious Philadelphia Orchestra and other acclaimed new music groups such as members from Eight Blackbird.

Patricia's search for freedom in her musical expression led her to find her voice through the vibraphone and mallet percussion in improvisational music and composition. 

The New York Times observed, “Brennan has recently started to make her presence known on the New York avant-garde, working with such prominent bandleaders as Matt Mitchell and Michael Formanek.” Patricia’s extensive sidewoman work includes the Grammy nominated John Hollenbeck Large Ensemble, Michael Formanek Ensemble Kolossus, Matt Mitchell’s Phalanx Ambassadors, the Webber/Morris Big Band, Tomas Fujiwara’s 7 Poets Trio, Mary Halvorson’s Amaryllis, amongst other groups and collectives. She has also collaborated with pianist Vijay Iyer as a member of Blind Spot with writer Teju Cole, his large ensemble project Open City and several small ensemble performances along with renowned musicians including bassist Reggie Workman and trumpeter Wadada Leo Smith. Patricia’s own projects include the solo project MAQUISHTI, MOCH - a collaborative duo with percussionist, drummer and turntablist Noel Brennan (DJ Arktureye), and MORE TOUCH - a quartet with a quite unusual instrumentation: mallet percussion, percussion, drums, and bass.

Read more

Tags

15
Album Review

Mary Halvorson: Cloudward

Read "Cloudward" reviewed by Doug Collette


The title of guitarist/composer Mary Halvorson's Cloudward alludes to the sense of optimism she has stated she felt when writing the bulk of the material in fall of 2022. And while this palpable sense of faith in the future is in marked contrast to the tangible air of eerie foreboding that surfaced so often on this LP's predecessors, the presence of largely the same personnel lineup--the Amaryllis Sextet-- provides a stable link of continuity. The reappearance of prior collaborators recording ...

13
Album Review

Tomas Fujiwara 7 Poets Trio: Pith

Read "Pith" reviewed by John Sharpe


In many ways, Pith, the second offering from drummer Tomas Fujiwara's 7 Poets Trio, pursues the course set by the eponymous debut (Rogue Art, 2020) with its lightly swinging lyricism, moments of reflective calm, and a restrained aesthetic which nonetheless permits adventurous forays. The unusual instrumentation, in which the leader supplements his trapset with Tomeka Reid's cello and Patricia Brennan's vibraphone, promotes a cool, airy feel, which at times recalls the chamber elegance and collective give and take of the ...

11
Album Review

Mary Halvorson: Cloudward

Read "Cloudward" reviewed by Mike Jurkovic


Guitarist, composer & raconteur Mary Halvorson could very comfortably (and rightfully) wear the sobriquet of “The Charles Mingus of Guitar" if she wanted to. But even that open-ended comparison would limit her as she outdoes herself again on Cloudward. Though it must surely be getting harder to top herself given the string of releases--the deliberately articulate schizophrenia Amaryllis and Belladonna (Nonesuch, 2022), the unbridled trio synergy Multicolored Midnight (Cunneiform, 2018), the crackling mad invention propelling 2018's Code Girl (Firehouse 12 ...

7
Album Review

Jeff Lederer with Mary LaRose: Schoenberg on the Beach

Read "Schoenberg on the Beach" reviewed by Jerome Wilson


Saxophonist Jeff Lederer has used several unexpected inspirations for musical projects over the years, such as Shaker hymns and the writings of Herman Melville. Schoenberg on the Beach may be the most audacious thing he has ever done. It blends the compositions of Arnold Schoenberg and Anton Webern and the sounds of Coney Island together into an intriguing song cycle performed by a team of exceptional jazz musicians. Schoenberg lived in Los Angeles in the latter part of ...

10
Album Review

Tomas Fujiwara’s 7 Poets Trio: Pith

Read "Pith" reviewed by Mark Corroto


The instructions that came with Tomas Fujiwara's 2019 release, 7 Poets Trio (RogueArt), read, “I'd like to tell you as little as possible about this music before you listen to it... and create your own scenes for which these songs can be soundtracks." The same advice is warranted for Fujiwara's 7 Poets Trio follow up recording Pith. Historically, the talented composer and drummer writes music with his band mate's individual voices in mind. He does so in ensembles ...

13
Album Review

Patricia Brennan: More Touch

Read "More Touch" reviewed by Mike Jurkovic


It's uncanny how More Touch, vibraphonist Patricia Brennan's scarily good follow-up to her head-turning debut Maquishti (Valley of Search, 2021) follows one around all day. Its essence is in the air, in the room, in the conversation. It sneaks around the corner and races down the stairs, out into the street, and breaks into any and all of the machinations that drive the day. Born of its own fevered animation, the music on More Touchis brazen. Atmospheric yet ...

3
Album Review

Mary LaRose: Out Here

Read "Out Here" reviewed by Jerome Wilson


Vocalist Mary LaRose has long been putting vocals, with and without words, to the works of modern jazz composers such as Albert Ayler, Ornette Coleman, Charlie Haden and Eric Dolphy. This CD is her first full-length exploration of Dolphy, probing the free-wheeling elusiveness of his work with a group which includes several of the instruments he used in his recordings, cello, vibraphone, and bass clarinet. LaRose approaches Dolphy's music by putting lyrics to some tunes, singing wordlessly on ...

Read more articles
Primary Instrument

Vibraphone

Willing to teach

Beginner to advanced

Credentials/Background

As an educator, I have been teaching music in several countries for almost 10 years. The ages of my students have ranged from 1 year old to adults. While in Mexico, I worked at a private arts school (Escuela Municipal de Bellas Artes - EMBA), where some of my duties included coordinating the percussion studio and school choir, teach private and group lessons as well as assisting as a co-teacher for general music classes for students from 4 years old to adults. While in Philadelphia, PA, I worked at The Baldwin School in Bryn Mawr, PA, where some of my duties included coordinating the percussion studio, teaching private and group lessons and organizing student performances for grades 5-12

Read more

Photos

Concerts

Music

Recordings: As Leader | As Sideperson

Cloudward

Self Produced
2024

buy

Cloudward

Nonesuch Records
2024

buy

Slow Water

Papillon Sounds
2024

buy

Pith

Out Of Your Head Records
2023

buy

Schoenberg on the...

Little (i) Music
2023

buy

More Touch

Pyroclastic Records
2022

buy

Eager

From: Slow Water
By Patricia Brennan

Unquiet Respect

From: More Touch
By Patricia Brennan

Videos

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.