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Rich Pulin

Rich Pulin, now in his 7th decade of professional music, has committed to full-time involvement in an 'early-childhood (K-8) music-education program which he has devised and developed!

The Early Childhood Music Education Foundation.

He has accepted the responsibility of sharing our great American native-bred art-form, jazz, with millions of children around the globe through a unique, engaging, enlightening and esteem-building program, specifically designed with the young student in mind, although suitable for students of any age or grade level.. Rich is seeking other educationally-minded people to join forces with him, as the TASK of educating a generation of students, and eventually raising the standard of popular music in general, and jazz specifically, IS a BIG one!

Anyone interested in more information may contact Rich at the accompanying information...

Thank You!

Rich Pulin began playing the Baritone Horn, switching to the Trombone after seeing "The Glen Miller Story" starring Jimmy Stewart, as Glenn Miller.

At the age of 18, through a series of events, he met legendary Trumpeter Dalton Smith. Dalton, in turn, referred Rich to Woody Herman pianist-arranger, Nat Pierce. Nat wasted no time and escorted Rich to Nola Rehearsal studio, to sit in with Charlie Barnett's band, coincidentally minus a trombone that day! Barnett's band included bass-trombonist-composer-arranger John Woehrmann and the inimitable trumpeter-flugelhornist-educator Clark Terry!

Woehrmann was so impressed with Rich's playing, he recommended him for an audition, which led to a job with the Tommy Dorsey Band under the direction of Warren Covington! Subsequently,he played the 1st trombone and jazz soloist chairs with the bands of: Johnny Long, Richard Maltby, Buddy Morrow, Les & Larry Elgart, Tony Pastor, The Jimmy Dorsey band under Lee Castle,The Al Grey/Billy Mitchell(Tenor Sax)Sextet, Slam Stewart's Band, The Dave Pike Set, Woody Herman's 'Herd' and friend and mentor Clark Terry's first big band at the Half Note!

Rich was a charter member of CT's Big Bad Band at the Half Note in Manhattan, in 1967, which was a co-venture that Clark led with assistance from alto-saxophonist Phil Woods, and trombonist/arranger Melba Liston. Clark's band was a collection of all-stars including guys like Zoot Sims, Al Cohn, Gene Quill, Randy Brecker, Jimmy Owens, Ron Carter, Grady Tate, and Nat Pierce...

Following the gig with CT, Rich wound up in the Netherlands, and wasn't seen or heard from again for seven years. He married one of only 3 female recording producers, with The Philips-Phonogram Company. Their first co-production was a son, Yasha... Rich was recruited to head the background music division for Philips, and despite a busy and diverse schedule remained in that position for the entire time that he lived in Holland.

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Interview

Rich Pulin: Clifford Brown and "It's You, LaRue"

Read "Rich Pulin: Clifford Brown and "It's You, LaRue"" reviewed by Nicholas F. Mondello


Celebrated trombonist, trumpeter, composer/arranger, producer, educator and jny: Las Vegas-based radio host, Rich Pulin shares background here about the great trumpeter, Clifford Brown and the love of Clifford's life, his wife, LaRue and his “co-authorship" of what might possibly be the last composition Brownie had written. All About Jazz: Rich, On behalf of All About Jazz, thanks for speaking with us. Rich Pulin: Thank you, Nick. AAJ: This is a fascinating ...

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