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Spike Orchestra

A large ensemble melding jazz, rock, klezmer, cartoon and the avant-garde into a compelling and cohesive whole, led by Sam Eastmond the Spike Orchestra is dedicated to creating new music and exploring the conceptual limits of the big band, taking what is possible and stretching it to breaking point.

Originating in 2012 as a series of workshop sessions by composers Eastmond and Nikki Franklin and inspired by John Zorn's conceptual approach to the rock band with his Naked City project, Carl Stalling, JG Thirlwell and the New York Downtown scene as well as the more obvious big band works of Ellington, Gil Evans and Carla Bley the band has evolved into a formidable studio project.

Early experiments and live shows led to a move away from standalone pieces and a pursuit of longer more cohesive works explored in live and early recording experiments. The ensemble has a fluid list of collaborative musicians, the one constant being composer/arranger Eastmond with producer Ben Greenslade-Stanton.

2014 saw the culmination of the early years experimentation and exploration, it also saw Eastmond's compulsion to explore the Jewish side of his identity as an artist and a growing sense of identification with Zorn's Masada books and Radical Jewish Culture series come to the fore and coalesce into the recording of Ghetto.

The bands debut full-length album is an ambitious large scale work comprising three configurations of ensemble, including the full 22 piece Big Band. This ten movement narrative suite commemorating the Warsaw Ghetto uprising is a deeply personal journey.

In 2015 The Spike Orchestra became the first British artists to record a volume of John Zorn's Masada Book Two: The Book of Angels series, comprising over 300 tunes and 31 albums Masada Book Two is a monolithic achievement of Radical Jewish Culture. Featuring legendary artists including Pat Metheny, Medeski, Martin & Wood, Marc Ribot, Uri Caine and David Krakauer. The Spike Orchestra are the first and only big band in the series and one of only a handful of musicians outside the Downtown New York their album Volume 26: Cerberus is described by Tzadik as "one of the most imaginative and manic masterpieces in the whole series." featured in best of the year critics picks and was described by London Jazz News as "John Zorn from a full on big-band with some delicious arrangements of ten tunes.....has gone straight into my 'Best of the Year' selection." by London Jazz News.

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Interview

The Spike Orchestra and John Zorn's "The Book Beriah"

Read "The Spike Orchestra and John Zorn's "The Book Beriah"" reviewed by Phil Barnes


Sam Eastmond is the composer, arranger, and trumpet player best known for his work as bandleader and co-founder of the Spike Orchestra. That UK based large ensemble has released two studio albums to date, Ghetto on their own label followed by Cerberus as part of a collaboration with the legendary John Zorn on his Masada Book Two project.Great though Ghetto was, Cerberus has proved to be the more significant both in terms of creative development to date and ...

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Extended Analysis

The Spike Orchestra: Cerberus (Book of Angels - Volume 26)

Read "The Spike Orchestra: Cerberus (Book of Angels - Volume 26)" reviewed by Phil Barnes


Taking inspiration from the divine is a tough sell. Get it wrong and it can appear sacrilegious or insulting to the faithful; too devout and our largely secular society turns away. In the past the poet William Blake was famously beaten by his own mother when he claimed to have had angelic visions at the age of eight, but nowadays an artist is more likely to receive concerned enquiries as to their sanity. Yet creativity is so hard to pin ...

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Extended Analysis

Spike Orchestra: Ghetto

Read "Spike Orchestra: Ghetto" reviewed by Phil Barnes


What does it mean to make jazz records halfway through the second decade of the 21st Century? Can there still be a place at the cutting edge for an art form whose commercial peak was in the 1950s and which the majority of the population still associate with the middle of the road vocal records of that time? It doesn't help that our major labels are content to churn out ever more 'expanded,' 'ultimate' and 'complete' curatorial reissues of the ...

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