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Stu Williamson

Stu Williamson was an American jazz trumpeter.

Born in Brattleboro, Vermont, Williamson was the younger brother of jazz pianist Claude Williamson. Williamson relocated to Los Angeles in 1949 and became a regular on the West Coast scene, playing with Stan Kenton (1951, 1954-1955), Woody Herman (1952-1953), Billy May, and Charlie Barnet. Between 1954 and 1958 he played intermittently with Shelly Manne, and was a ubiquitous session musician up until 1968, when he retired from music. He battled drug addiction for much of his life, including for years after he left music. He died in Studio City, California in 1991.

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8
Album Review

Shelly Manne & His Men: Jazz From The Pacific Northwest

Read "Jazz From The Pacific Northwest" reviewed by Pierre Giroux


Shelly Manne & His Men are presented in two iterations in never-before-released live recordings from the 1958 Monterey Jazz Festival and from a 1966 date at The Penthouse in Seattle entitled Jazz From The Pacific Northwest. In this deluxe limited edition 180-gram 2LP set, co-produced for release by the estimable Zev Feldman and Cory Weeds, the band captivated the audience with intricate melodies and vibrant improvisations driven by Manne's virtuosic drumming. The band on LP1 from ...

1
Album Review

Elmo Hope: Trio and Quintet

Read "Trio and Quintet" reviewed by AAJ Italy Staff


Questo è uno dei pochi dischi di Elmo Hope in circolazione oggi in Italia. Un plauso alla Blue Note che l'aveva già pubblicato in CD (con identica copertina e stessi brani) 15 anni fa ed oggi lo riedita per il beneficio di chi se l'era perso.Dopo anni di totale oblio, lo sfortunato pianista e compositore bop ha avuto nel decennio scorso una certa rivalutazione critica ma dal pubblico jazz è ancora ampiamente ignorato.Un vero peccato, perché ...

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1

Recording

Stu Williamson: Two Januarys

Stu Williamson: Two Januarys

Source: JazzWax by Marc Myers

It was gratifying last week to hear that New York's Verse Music was remastering and re-issuing the entire Bethlehem catalog. The 1950s label not only consistently released superb albums on both coasts but also pioneered the early use of glossy color-saturated covers that tapped into consumer moods. This trend was the innovation of Creed Taylor, who was the label's East Coast producer from 1954 to '56. (Which reminds me, I'm so waiting for Herbie Mann's Love and the Weather.) Two ...

Music

Recordings: As Leader | As Sideperson

Trumpet Artistry Of...

Unknown label
2006

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Something Else

Bethlehem Records
1956

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Sapphire

Kiwi Pacific Records
1955

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Trio and Quintet

Blue Note Records
1954

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