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Tom Griesgraber

Until you’ve seen it performed live, the music of Chapman Stick player Tom Griesgraber sounds too big to be real. There are acoustic guitar or piano-like moments, funk rock bass lines, ambient synth and soundscape textures, rock guitar leads, jazz solos and even small bits of percussion sometimes all happening simultaneously. To the uninitiated listener it sounds like an ensemble, but to those who have seem him live, it is the magic of a unique virtuoso.

As an honors graduate of the renowned Berklee College of Music in Boston in 1995, Tom had already developed a strong foundation in the mechanics of music along with a thorough proficiency on the electric guitar. But he yearned for more: he became weary of conventional methods and was compelled to seek out a more atypical means of making music.

This soul-searching came to a new beginning when Tom discovered the Chapman Stick, taking up the unique 12-string instrument shortly after watching a performance by Tony Levin with Jerry Marotta and Steve Gorn in 1997. In a dramatic move, Tom put his creative career on hold, set aside the guitar, and focused on the fresh and still mostly unexplored territory of the often unrecognized Chapman Stick. “Logically that decision didn’t make much sense,” says Griesgraber. “It really felt like starting over, but I just knew I had to do it. I believe every one of us has a purpose in life and if we concentrate on doing what we feel called to do, no matter the risks, things work out for the best.”

Developed by musician Emmett Chapman in the early 70s, The Chapman Stick used by Griesgraber combines six guitar strings tuned in fourths with six bass strings tuned in fifths. Notes are “tapped” rather than strummed allowing the player to create separate parts in each hand with a variety of guitar and bass-like sounds. Taking things even further, Tom adds a third synthesizer output on the guitar side and incorporates live looping and synth pedals into his performances.

Today Griesgraber is one of the world’s most respected and active performers on The Stick. He has toured as an opening act and guest for more than eighty US shows with the California Guitar Trio, toured the US and Europe with drummer Jerry Marotta as the duo Marotta/Griesgraber and opened numerous shows for artists like The Tony Levin Band, The League of Crafty Guitarists, The Dixie Dregs, Steve Hackett, Adrian Belew, Al Dimeola, Stanley Jordan, Bill Bruford’s Earthworks, Larry Carlton and Steve Lukather, Muriel Anderson, Tower of Power, Asia, Michael Manring, Tim Reynolds, Jazz Mandolin Project and The Bad Plus. At the request of Recording Academy (Grammy’s) president Neil Portnow, he has also performed for the Academy’s Board of Trustees as well as the Academy’s Holiday Party and the 2004 Grammy Awards Show Post Party. In addition to his solo performances, Tom also performs regularly with his group Agent 22 and as a duo with Bert Lams of the California Guitar Trio.

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Play This!

Tom Griesgraber & Bert Lams: Don't Look Back

Read "Tom Griesgraber & Bert Lams: Don't Look Back" reviewed by Geno Thackara


The title probably isn't really a warning. To judge from the warm affable sound of Tom Griesgraber's Chapman Stick piece, “Don't Look Back" feels more like a piece of optimistic advice. Further brightened by the easygoing chemistry he shares with Bert Lams as they skip through what should be a rhythmic booby trap, it's as bouncy as classy pastoral quasi-folk can get. ...

3
Live Review

Tom Griesgraber and Bert Lams at Kennett Flash

Read "Tom Griesgraber and Bert Lams at Kennett Flash" reviewed by Geno Thackara


Tom Griesgraber and Bert Lams Kennett Flash Kennett Square, PA August 27, 2016 A good piece of music can paint a picture, evoke feelings, tell a story or possibly, in the right hands, do all those things together. This is certainly what happens when Chapman Stickist Tom Griesgraber meets up with guitarist Bert Lams (the stage--left member of the California Guitar Trio) in among their other respective gigs. They weave a sophisticated musical tapestry: old-world ...

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