With his subtle, probing guitar and soaring voice, Fenton Robinson represented the smoother side of the Chicago blues sound. In fact, though he originally came from Mississippi, Fenton's style had more in common with the swinging Texas string-benders than his Delta contemporaries. His elaborate chordal progressions on guitar recall the jazz-flavored work of his hero, T-Bone Walker, as well as B.B. King. His soulful vocals and unique songwriting style led the way for such contemporary blues artists as Robert Cray.
Fenton was a singular songwriter. He composed a dozen blues classics, but none better known than Somebody Loan Me A Dime, originally recorded as a 45 in the late 1960s, and re-recorded as the title cut of his first Alligator release in 1974. His expressive and exquisitely crafted guitar style, compelling voice and songwriting skills put Fenton in a league of his own. Robinson went on to release two more albums on Alligator, 1978's “I Hear Some Blues Downstairs,” and 1984's “Nightflight,” both acclaimed by blues critics and fans around the world.
Fenton was born on September 23, 1935 in Greenwood, Mississippi. Inspired by the blues he heard on the radio (especially T-Bone Walker), he moved to Memphis at age 16 and concentrated on playing music. He broke onto the Southern blues scene while still in his early twenties. His first single, “Tennessee Woman,” was recorded for the Memphis-based Meteor label. This young, upstart guitarist carved out a strong, devoted following from among the most demanding of blues audiences. He went on to record for Duke Records in Houston (and played lead guitar on Larry Davis' original version of Texas Flood) before moving to Chicago in 1962. In Chicago he recorded for singles for U.S.A., Giant and Palos Records (where he first recorded the famous “Somebody Loan Me A Dime” in 1967). Night after night, Fenton proved himself in club after club, eventually winning a regular gig at the legendary Peppers Lounge.