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Friedrich Gulda

Born in Vienna as the son of a teacher, Gulda began learning to play the piano from Felix Pazofsky at the Wiener Volkskonservatorium, aged 7. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.

He won first prize at the Geneva International Music Competition in 1946. Initially, the jury preferred the Belgian pianist Lode Backx, but when the final vote was taken, Gulda was the winner. One of the jurors, Eileen Joyce, who favoured Backx, stormed out and claimed the other jurors were unfairly influenced by Gulda's supporters.[1] Gulda began to play concerts worldwide. He made his Carnegie Hall debut in 1950.[2] Together with Jörg Demus and Paul Badura-Skoda, Gulda formed what became known as the “Viennese troika”.

Although most famous for his Mozart and Beethoven interpretations, Gulda also performed the music of J. S. Bach (often on clavichord), Schubert, Chopin, Schumann, Debussy and Ravel.

From the 1950s on he cultivated an interest in jazz, writing several songs and instrumental pieces, and at times combining jazz and classical music in his concerts. In 1956, he performed at Birdland in New York City[3] and at the Newport Jazz Festival.[2] He organized the International Competition for Modern Jazz in 1966,[4] and he established the International Musikforum, a school for students who wanted to learn improvisation, in Ossiach, Austria, in 1968.[5] He once said:[6]

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