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Gary Monheit and Dan Krimm

Gary Monheit (piano) and Dan Krimm (fretless bass guitar) have been playing jazz together off and on since their college days in the mid-70s, when they were both inspired by the explosion of new musical possibilities of the era.

The new ground blazed by pianists like Herbie Hancock and Chick Corea and bassists like Jaco Pastorius and Eddie Gomez expanded the stylistic potentials of these instruments, and of the music generally

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”A consummate accompanist with a forceful left hand and a deft touch in the right hand, Monheit also shows a sense of harmonic and rhythmic adventurousness in his improvisations, as he demonstrates in his cascading solo on “Meadowlark,” his daring extrapolation on the mesmerizing modal number ”Misspoke” and his singing solo on “Awakening.” His dazzling keyboard work on the propulsive 6/8 number “Rambling Green” is a pianist tour de force while his ”Blues for Terri” (named for his wife) is old school in the best sense of the word, with just a twist of Monk coming into his earthy, Junior Mance-Ray Bryant- informed statements.

Krimm affects an exceedingly warm, woody tone on his Pedulla electric bass guitar along with an uncommonly lyrical penchant on his instrument, sounding like a cross between electric bass pioneer Steve Swallow and upright bass master Buster Williams

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