Since basing himself in New York City in June of 2002, jazz organist, pianist, and accordionist Gary Versace has quickly become one of the busiest and most versatile musicians on the scene, often featured in bands led by musicians such as John Scofield, John Abercrombie, Maria Schneider, Matt Wilson, Lee Konitz, Eliot Zigmund, Scott Wendholt, Joe Magnarelli, Danny Gottlieb, Seamus Blake, John Hollenbeck, Andy LaVerne, Adam Nussbaum, Brad Shepik, Ingrid Jensen, Tim Ries and many others.
...(Versace) has recently been making big noise around town (NYC) with his Hammond organ...
- The New Yorker.
I love unusual harmony, and (Versace) has got some very thoughtful and different ideas about chord structure. He is endlessly inventive. He does a lot of fresh things - he really has an extraordinary talent.
- jazz pianist and NPR radio host Marian McPartland.
...a star on the rise - clearly someone to watch...
- All About Jazz.
Versace is a member of that new breed of organists extending the tradition in their own personal way.
- Cadence Magazine.
...adventurous, joyous...Versace's very light, deft touch was featured sufficiently to showcase his wide ranging influences and phenomenal technique.
- Times Colonist (Victoria, B.C.)
...his (Versace's) abstract sense of musical suggestion is continued evidence of a significant musical voice gaining ground at almost warp speed.
- John Kelman, All About Jazz.com
Versace has the crystal clear technique of a classically trained musician combined with a mind for improvisational exploration...
- Willamette Week, Portland, OR.
...over the course of the disc (Loren Stillman's 'It Could Be Anything', Fresh Sound Records), Versace's tasteful, in-control soloing vies with Stillman's for lyrical dominance.
- Jeff Stockton, All About Jazz: New York
...'I Don't Need No Doctor,' highlighted by a wonderful exchange between Scofield and keyboardist Gary Versace...
-concert review, Casino de Lac Leamy - Gatineau, QC
...organist Versace plays a key role in providing the provocative harmonies and throbbing, sub-harmonic textures that, together with (Dan) Weiss' driving beat, propel Rez (Abbasi) to new and adventurous heights on 'Snake Charmer.'
-Bill Milkowski, noted jazz critic and author.