Hans Tammen

“...clearly one of the best experimental guitarists to come forward during the 1990s.” (François Couture, All Music Guide)

“Hans Tammen has his own way of playing the guitar...” (New York Times)

“...one of the most ferociously talented and inventive guitarists to emerge in the last ten years. His technique is noisy and percussive, his energy relentless and unstoppable.” (Richard Cochrane, Musings)

“White-hot solo guitar work..

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“...clearly one of the best experimental guitarists to come forward during the 1990s.” (François Couture, All Music Guide)

“Hans Tammen has his own way of playing the guitar...” (New York Times)

“...one of the most ferociously talented and inventive guitarists to emerge in the last ten years. His technique is noisy and percussive, his energy relentless and unstoppable.” (Richard Cochrane, Musings)

“White-hot solo guitar work... Recent years have seen a slew of fine free guitarists emerge..., but nothing they've done so far packs this kind of punch... “ (Dan Warburton, Signal to Noise)

“The cream of New York avant scene delivered the musical goods in a thrilling 75-minute display that combined individual virtuosity in a cohesive and fun-filled framework.” (Irwin Block / Avant Music News about Third Eye Orchestra)

“A bracing sequence of seismic dynamics, barbarous stabs of modified frequencies, snippets taken from heaven-knows-what-third-world-radio, children at play with their own atomization, ominous manipulations…, problematic timbral layerings, rhythms that would not remain in place if nailed with a mallet.” (Massimo Ricci / Touching Extremes)

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