Hans Tammen calls his style of performance ENDANGERED GUITAR because of the extreme alterations he enacts upon his instrument's sound and construction. Originally inspired by Sonny Sharrock’s and Pete Cosey's fiery and energetic playing, his rapid-fire juxtapositions of radically contrastive and fascinating sounds capture the energy and abstract musicality that Coltrane brought to the saxophone. His music has been described as an alien world of bizarre textures and a journey through the land of unending sonic operations, his playing, as a critic observed, with his ...fingers stuck in a high voltage outlet. Signal To Noise called his works ...a killer tour de force of post-everything guitar damage, All Music Guide recommended him: ...clearly one of the best experimental guitarists to come forward during the 1990s.
The music for his large ensemble THIRD EYE ORCHESTRA (string and wind quartets, extended rhythm section, voice and electronics) is inspired by west african roots of Jazz, Miles Davis' Bitches Brew, Steve Coleman, and Stravinsky's layering or Steve Reich's phase techniques. All About Jazz called the music nothing short of breathtaking, and a masterpiece of musical evocation.
Hans Tammen is currently playing a Buchla Music Easel, a West Coast analog synthesizer created for improvisers who look for surprising results.