Henry has an innate curiosity and unique ability to bring multiple musical influences together. This is probably because everything from the Beatles to Bach to Count Basie to the sound of Henry’s own father playing various musical instruments could be heard at any time in his Midwest childhood home.
One famously curious artist, David Bowie, identified with this spirit in Henry during the making of The Next Day, on which Henry played piano and keyboards. Bowie then chose him as arranger and musical director to help reimagine his classic songs and to shape new ones, creating the sound for what would be Bowie’s final work, Lazarus.
Henry immerses himself in original projects and creative collaborations expressing his own voice. These works embody his skills as a musical catalyst in every way, from composing, songwriting, and arranging to sound creation, production, and performance. His instrumental group, FORQ, is currently recording and touring worldwide. Other collaborations include the critically acclaimed quartet, Rudder, and Australian synth-pop sensation, Empire of the Sun.
Legendary producer Phil Ramone felt Henry was essential to the evolution of George Michael’s project Symphonica, both as an arranger and pianist. Michael felt at ease working with Henry and the two enjoyed a successful relationship as Henry went on to be musical director for both the album recording and extensive arena touring. Prior to this, Henry was the musical director and pianist with Rod Stewart and the Great American Songbook. Henry not only led the band on international tours and recorded on several of the songbook albums, but also joined Stewart on many network television appearances.