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Miles Davis, Charlie Parker, and Illinois Jacquet were just a few of the musicians that were in Hugh's dreams as a boy. Little did he know that he would be playing with Jacquet in the 1980's. Yet, even before he could afford his 3 dollar lessons, Hugh Brodie would fantasize about becoming one of the great jazz musicians.
Hugh's first exposure to the blues came when he was very young in the fields of North Carolina. He worked on his cousin's farm and listed to the workers as they sang the blues in the blazing sun tending to the watermelon and sugar cane.
Later, in his early teens, Hugh was amazed by the way the members of the Sanctified Church in Newark N.J. used music in their worship. Hugh was astonished when he witnessed fellow worshipers being overcome by the great creator from their toes to their head. These experiences planted the seeds for Brodie's future music. They created the life experiences and burning hunger that Hugh needed to create music about the spiritual world. Hugh wanted to play music so badly that he begged his father to buy him a sax.
And The Real Thing
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