Ian Carr has been at the forefront of British modern jazz for over 40 years. He started playing trumpet in his brother Mike’s band, the EmCee 5 in the very early 1960s. This bebop-influenced band even boasted a young John McLaughlin in its lineup at one point.
He moved down to London from his home turf of the North East of England and then met up with various jazz musicians, including sax player Don Rendell. He teamed up with Don and together they formed one of the most influential British modern jazz quintets ever heard. The Rendell-Carr Quintet was something of a jazz supergroup, and although they only recorded five albums, for the EMI Columbia Lansdowne series label, these still command high secondhand prices on eBay. Apart from Rendell and Carr, the Quintet also featured Colin Purbrook on piano on their first album Shades of Blue only. Pianist Michael Garrick was recruited from their second album Dusk Fire onwards, and penned many of the compositions recorded. The Quintet was completed by Trevor Tomkins on drums and Dave Green on bass. Unusually and significantly, the Rendell-Carr Quintet was really the first British small jazz group to record only their own compositions, many of which were lengthy and distinctive.
During the 1960s, Carr recorded not only with the Rendell-Carr Quintet, but also with Michael Garrick’s various groups on some remarkable albums including Promises, Black Marigolds and The Heart is a Lotus. He also recorded with Joe Harriott and Amancio D’Silva, notably on Integration and Hum Dono.