“This incontestably superior musician has been almost totally ignored in the chronicling of the musical form to which he has contributed so much. Quebec was a tenor man of the Hawkins school with a big tone and firm, vigorous style. I hope this new perspective of the contribution Ike Quebec has made to jazz will help to bring a little lightness to his soul and much more recognition to his name.” Leonard Feather
An accomplished dancer and pianist, he switched to tenor sax as his primary instrument in his early 20s, and quickly earned a reputation as a promising player. His recording career started in 1940, with the Barons of Rhythm. He recorded or performed with Frankie Newton, Hot Lips Page, Roy Eldridge, Trummy Young, Ella Fitzgerald, Benny Carter and Coleman Hawkins. Between 1944 and 1951, he worked with Cab Calloway. He recorded for Blue Note records in this era, and also served as a talent scout for the label (helping pianists Thelonious Monk and Bud Powell come to wider attention) and, due to his exceptional sight reading skills, was an uncredited impromptu arranger for many Blue Note sessions.
My Blue Note Obsession
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