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Jake Leckie
Jake Leckie is a bassist whose playing is firmly rooted in the jazz tradition, informed by classical, gospel, latin music, and hip-hop. His credits include touring with Sixto “Sugarman” Rodriguez, traveling to the Havana Jazz Festival to perform with Spanish saxophonist Gianni Gagliardi, recording two albums with Canadian pianist/composer Cat Toren for her Human Kind project, recording and touring with The Harlem Gospel Travelers, and playing at several notable venues with piano prodigy Matthew Whitaker, including The Apollo Theatre, and Newport Jazz Festival.
He recorded his debut album The Abode with trumpeter Kenny Warren, pianist Sebastien Ammann, and drummer Nathan Ellman-Bell, which was released on Outside In Music in 2019 to critical acclaim. During the pandemic he formed a trio with guitarist Nadav Peled and drummer Elizabeth Goodfellow who play on his second album The Guide, to be released on Ropeadope Records in April 2022 (hopefully also to critical acclaim).
Leckie was born in Boston, MA, and developed an interest in improvised music at a young age. His first bass teacher, John Lockwood, played a weekly set with the legendary free jazz trio, The Fringe (George Garzone, Bob Gullotti), and this approach to spontaneous music making was highly influential. He vividly remembers listening to a recording of Bill Evans trio playing Autumn Leaves, and Scott LaFaro’s solo leaving an indelible impression. Growing up in Brookline, MA, he recorded with avant-noir pianist Ran Blake, reggae guitarist Lyn Taitt, and long time friends Eli “Paperboy” Reed and Eli Keszler.
Leckie earned a degree in Anthropology at Johns Hopkins University in Baltimore while studying bass with Michael Formanek, who introduced him to the compositional and group improvisational style of Charles Mingus. He earned a Masters in Audio Science from the Recording Arts department of the Peabody Conservatory where he was introduced to the string quartets of Debussy and Ravel, and the Pablo Casals recording of the Bach Cello Suites, which he still practices every morning. He found opportunities to study and play with Baltimore’s finest musicians including Warren Wolf and Dave Ballou, and backed up several local artists including Cris Jacobs and Eva Castillo. He was a teaching artist at Orchkids, an outreach program of the Baltimore Symphony Orchestra, that performed with Yo- Yo Ma.
He studied chamber and baroque music in Montreal, and performed at the Montreal Jazz Festival. During a formative semester in Spain, he was the house bassist in the multicultural genre bending WTF! Jam Session at the Jamboree Club in Barcelona where sometimes standards were called, and sometimes they said “WTF let’s just play.” He studied Cuban music with Hilario Duran and Roberto Occhipinti, and formed the tango band The Mash Potangos. The group toured in the US and Canada, performing traditional tangos for dancers as well as the music of Astor Piazzolla. They were awarded a Canada Council for the Arts grant to record their second album, Nightshades. He formed an experimental tango group with pedal-steel guitarist Susan Alcorn, a latin jazz trio with Cuban/Venezuelan pianist Cesar Orozco, a Brazilian choro group Snail Knights, and played with the salsa bands Avance, The Pacific Mambo Orchestra, and La Granada All-Stars.
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Jake Leckie: The Abode
by Chris Mosey
Bassist Jake Leckie, born in Boston but currently living in Los Angeles, describes the eight songs on this, his first album, as a meditation on migration, understanding and empathy." He says they pay tribute to the people and places that have contributed to his identity and are intended to evoke a sense of place and home--his very own abode. He took the title from Alice Coltrane's concept of heaven, the Supreme Abode, as described in her memoir, ...
read moreIMRAN MIRZA BLUE IN GREEN RADIO The music throughout 'The Guide' is a real testament to Leckie, Goodfellow and Peled - three musicians with vastly different backgrounds, styles and experiences that have come together to create an exquisite record bolstered by songs like the rousing 'The Gatekeeper' and 'Adobe' or the sublime, scene-stealing and somewhat magical 'The Place Between'.