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James Blackshaw James Blackshaw

When UK-native James Blackshaw plays his 12-string guitar, something spiritual takes place. Performing and recording since 2003, his name is frequently mentioned alongside the likes of Jack Rose, Steffen Basho-Junghans, Sir Richard Bishop and Glenn Jones as one of the most foremost modern pioneers of solo acoustic guitar music. Now at the age of 25, Blackshaw, an untrained musician born and still residing in the suburban environs of Greater London, draws as much inspiration from early religious music, South-Asian folk music and composers such as Arvo Part, Simeon Ten Holt, Steve Reich and Charlemagne Palestine as he does from John Fahey, Robbie Basho and the early Takoma Records roster, constantly breaking boundaries in what could be conceived as a somewhat limited medium. In his part improvised and part written songs, Blackshaw makes expert use of Eastern and Western scales, chord changes reminiscent of European classical music and incredibly intricate fingerpicking patterns to make a sound that is both challengingly minimalistic, yet warm and approachable to anybody who might hear it, with a rare sensitivity that conveys both immense beauty, hope and sadness.

Blackshaw has been featured in a range of magazines across the world including The Seattle Weekly, The Washington Post, Italy's Blow Up magazine and most recently in a one page article in the October 2006 issue of The Wire. His last album, “O True Believers” (Important Records/Bo'Weavil Recordings) also received enthusiastic reviews in Pitchfork, Fakejazz, Uncut, The Wire, Signal To Noise, The Observer (one of the UK's most highly-regarded national newspapers) and many other printed and online magazines.

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”The most gem-like overlooked album this year is neither hairy nor scary; rubber-necking into the great unknown isn't high in its priorities. But it is preternaturally beautiful. “O True Believers” by 24-year-old guitarist James Blackshaw features 10 fingers and 12 strings and, frankly, urinates all over whatever will be the Mercury Prize's token folk nominee next year. Blackshaw is British, but virtually no one has heard of him outside the US folk underground; he deserves ticker-tape parades. His style derives from the Takoma school founded by John Fahey, but that is all detail

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Albums

Album The Glass Bead Game by James Blackshaw

The Glass Bead Game

Young God Records
2009

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Album The Cloud Of Unknowing by James Blackshaw

The Cloud Of Unknowing

Tompkins Square
2007

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Running To The Ghost

Running To The Ghost

James Blackshaw
The Cloud Of Unknowing

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