All About Jazz

Home » Musicians » James Blood Ulmer

James Blood Ulmer

Free jazz has not produced many notable guitarists. Experimental musicians drawn to the guitar have had few jazz role models; consequently, they've typically looked to rock-based players for inspiration. James “Blood” Ulmer is one of the few exceptions—an outside guitarist who has forged a style based largely on the traditions of African-American vernacular music. Ulmer is an adherent of saxophonist/composer Ornette Coleman's vaguely defined Harmolodic theory, which essentially subverts jazz's harmonic component in favor of freely improvised, non-tonal, or quasi-modal counterpoint. Ulmer plays with a stuttering, vocalic attack; his lines are frequently texturally and chordally based, inflected with the accent of a soul-jazz tenor saxophonist. That's not to say his sound is untouched by the rock tradition—the influence of Jimi Hendrix on Ulmer is strong—but it's mixed with blues, funk, and free jazz elements. The resultant music is an expressive, hard-edged, loudly amplified hybrid that is, at its best, on a level with the finest of the Harmolodic school.

Ulmer began his career playing in funk bands, first in Pittsburgh (1959-1964) and later around Columbus, OH (1964-1967). Ulmer spent four years in Detroit before moving to New York in 1971. He landed a nine-month gig at the famed birthplace of bop, Minton's Playhouse, and played very briefly with Art Blakey. In 1973, he recorded Rashied Ali Quintet with the ex-John Coltrane drummer on the Survival label. That same year, he hooked up with Ornette Coleman, whose concept affected Ulmer's music thereafter. The guitarist's recordings from the late '70s and early '80s exhibit a unique take on his mentor's aesthetic. His blues and rock-tinged art was, if anything, more raw and aggressive than Coleman's free jazz and funk-derived music (a reflection, no doubt, of Ulmer's chosen instrument), but no less compelling from either an intellectual or an emotional standpoint. In 1981, Ulmer led the first of three record dates for Columbia, which helped to expose his music to a wider public. Around this time Ulmer began an association with tenor saxophonist David Murray, Bassist Amin Ali, and drummer Ronald Shannon Jackson. As the Music Revelation Ensemble, this intermittent assemblage (with various other members added and subtracted) would produce a number of intense, free-blowing albums over a span of almost two decades.

Read more

Photos (21)

Discography

Baby Talk

Baby Talk

Trost Records
2017

buy
In And Out

In And Out

In+out record
2010

buy
 

In And Out

Warner Bros. Records
2009

buy
Bad Blood in the City: The Piety Street Sessions

Bad Blood in the...

Hyena Records
2008

buy
Bad Blood In The City: The Piety Street Sessions

Bad Blood In The...

Hyena Records
2007

buy
 

Back in Time

Pi Recordings
2006

buy

Similar

Pat Metheny Pat Metheny
guitar
Ornette Coleman Ornette Coleman
saxophone, alto
Albert Ayler Albert Ayler
saxophone, tenor
Archie Shepp Archie Shepp
saxophone
Marc Ribot Marc Ribot
guitar
Pharoah Sanders Pharoah Sanders
saxophone
Sonny Sharrock Sonny Sharrock
guitar, electric

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.