In a feature article on James Cammack, Bass Player Magazine reviewer Richard Johnston nicknamed James, who was at the time a Chicago resident, “Chicago fire,” for his hard-driving, creative approach to playing both acoustic and electric bass. At rehearsals of even the most complicated jazz pieces, Cammack just puts a finger on his instrument to find the key, asks for the general feel, and takes off. An extremely sensitive player, Cammack is an excellent sideman and his own solos demonstrate both virtuosity and musicality.
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