James Cotton is one of the all-time greats of the blues harmonica, and one of the last of the original Chicago musicians who played and recorded some of the most exciting blues music ever. Cotton's harmonica virtuosity is amazing, recognized for the power and precision of his playing. Cotton and his harmonica are still blazing a trail through the music world and his legacy continues to grow with each passing year, a testament to this enduring Bluesman.
Born in Tunica, Mississippi, in 1935, Cotton fell under the spell of the legendary Sonny Boy Williamson at the tender age of nine and quickly became his protégé. Over the course of six years, Cotton lived, worked and traveled with Williamson, eventually assimilating many of his signature licks. Cotton was in Memphis in the early ‘50s and landed a gig with Howlin’ Wolf, recording “Saddle My Pony” at Sun Studios. His breakthrough “Cotton Crop Blues” was released in 1954, and not long after, he began his 12-year association with Muddy Waters, when Waters passed through town looking for a harp player. Cotton landed the gig, and worked with Muddy on the road and in the studio, recording many of the seminal Chess sessions.
When Cotton eventually left the Muddy Waters Band in 1966 to strike out on his own, he secured a contract with Verve and recorded four albums for them. With the Muddy Waters Band on his resume, Cotton was able to cross over into the burgeoning blues-rock market of the day. For the next three decades and beyond, Cotton recorded on various labels and covered countless miles of road, bringing his mix of Delta and urban blues to the masses on a first-hand basis, staying true to his roots despite never ending shifts in music fashion.