Hailed as A warm-toned lyrical player” with “harmonic sophistication” (Kirk Silsbee, Downbeat Magazine), James Hall is a versatile trombonist/composer re-imagining professional musicianship for the millennial generation.
Hall’s sophomore release, Lattice (Outside In 2018), described as “a masterpiece of chamber music” (JazzLife Magazine), is built around the harmonious combination of Hall’s dexterous trombone and the virtuosic flute playing of Jamie Baum, a pliable and expressive study in contrasts. Kirk Silsbee praised the work’s “graceful instrumental combinations and linear development” (Downbeat Magazine), and Bob Morello called the work “a tasty treat” and “a potpourri of great tunes” (Boston Post-Gazette).
Previously, Hall blurred the line between classical chamber music and free jazz with Soon We Will Not Be Here (2015), creating original settings of poetry by contemporary New York City-based poets Tina Chang, Paolo Javier, Malena Mörling, and Emily Ruth Hazel for quartet. Premiering at Fridman Gallery in downtown Manhattan, this project found an enthusiastic underground listenership in France, the UK, Belgium, and the US on Taran’s Free Jazz Hour.
When not leading his own projects, Hall is often to be found touring and recording internationally with viral sensation Postmodern Jukebox, with whom he has recorded videos tallying over 80 million YouTube views; or with Williamsburg Salsa Orchestra, whose salsa dura interpretations of indie rock have been featured in Rolling Stone Magazine’s Latin Hot List. Speaking on his aesthetic choices, Hall says “I really believe in the non-musical aspects of music, so I believe in a fun concert experience. I believe in humor. I believe in accessibility even when the music itself is not accessible.”