Jamie Brownfield, 23, hails from the village of Llanrhaeadr Y.M. in Mid Wales. He started on the cornet aged 9 playing in the local brass band and by the time he was 12 was performing jazz in public, guesting wherever he could at local jazz clubs. In 2005, when Jamie was 13, he formed his first band 'The JB Quintet' and the following year recorded his first CD 'No Animals Were Harmed......' Jamie has been playing professionally now for many years and is available for any event or session work, playing all styles of jazz from New Orleans to Bebop!
Jamie was awarded 1st place in the 'Rising Star' category of the 2012 British Jazz Awards Recordings No Animals Were Harmed.....
The Brownfield/Byrne Quintet (Kendal Jazz Club
From the moment that I heard Liam Byrne warming up his
with a beautiful version of 'Nuages' I knew we were in
musical treat from the Brownfield-Byrne Quintet.
And so it proved, with these five young guys springing
surprise after pleasant surprise with both their choice
treatment of material. Although I knew from their
reputation and from YouTube sampling that they had an
unusual respect for their jazz ancestors, I most
didn't expect their first offering to be 'Way Down Yonder
New Orleans', nor their third one to be 'Singing the
- (Bix, not Steele)
In fact, that was one of the highlights of the first
starting with a delightfully harmonised version of the
Bix/Trumbauer intro, and featuring contrasting solos from
Liam, who played very much in period, and Jamie
who soloed in the bop idiom while suggesting that Bix
have done something similar had he been spared.
Such contrasts were the cloth from which the night was
tailored, because the following number was 'Dig', written
bop altoist Jackie MacLean, but which turned out to be a
variant of 'Sweet Georgia Brown' with a dash of 'I Didn't
Know What Time It Was' thrown in.
Then it was back to well-loved standards with ' I Can't
You Anything but Love' featuring an outstanding duet
between bassist Nick Blacka and a tightly muted Jamie.
The first half finished with two more contrasting tunes:
'Dianily', based on 'Indiana' with intro and outro in
Parker/Gillespie unison bop mode, and then 'Better Go', a
relaxed mid-period mid-tempo blues written by Harry
which gave the whole band an opportunity to stretch out
Willing to teach
Intermediate to advanced students