JD Walter JD Walter

A native of eastern Pennsylvania, JD Walter’s past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter’s recordings include, “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. While recording his most recent release, “Dressed in a Song,” a life-threatening health scare and subsequent heart and vocal cord surgeries kept Walter out of the studio and off the road for several years. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals

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”He's built a reputation for going down his own idiosyncratic path, while simultaneously crafting music that's at once accessible and adventuresome, and undeniably soulful. ~John Murph -Downbeat Magazine ”Not Bleckmann, not Elling, not even Murphy - can rival the outre audacity of JD Walter” Christopher Loudon~JazzTimes

“...lithe and audacious” Nate Chinen- New York Times

(on the new generation of singers) Of course, J.D. Walter on this coast. He is a motherfucker! He’s something else. It’s wonderful what he does, and did. He’s exciting to hear live, and he’s building up… “I was almost a little depressed after the record was all finished, because I said, “This is too good; this is too much above most jazz fans.”” ~Mark Murphy (Jazziz Interview, Oct

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