Joel Frahm

Joel Frahm's May 1st release, We Used to Dance, places him in the company of master musicians Kenny Barron (piano), Rufus Reid (bass), and Victor Lewis (drums). Frahm more than holds his own in showing both the chops and lyricism that has made him an irreplaceable part of so many sessions in his two decades on the jazz scene.

Surrounded by jazz legends, Frahm makes this recording a true “coming out party” for his maturing artistry. It is his most ambitious CD to date, featuring six of his original compositions that come to life in beautiful and variegated ways in the hands of this remarkable band. “It was an honor and a watershed experience to make this record with these incredible musicians” he says.

Joel Frahm's May 1st release, We Used to Dance, places him in the company of master musicians Kenny Barron (piano), Rufus Reid (bass), and Victor Lewis (drums). Frahm more than holds his own in showing both the chops and lyricism that has made him an irreplaceable part of so many sessions in his two decades on the jazz scene.

Surrounded by jazz legends, Frahm makes this recording a true “coming out party” for his maturing artistry. It is his most ambitious CD to date, featuring six of his original compositions that come to life in beautiful and variegated ways in the hands of this remarkable band. “It was an honor and a watershed experience to make this record with these incredible musicians” he says.

Having made a name for himself through his associations with singer Jane Monheit and boyhood friend, pianist Brad Mehldau, Frahm hones his own voice on this breakout recording. Joel has also worked with a vast array of musical peers and jazz legends including Maynard Ferguson, Betty Carter, Matt Wilson, Larry Goldings, Dewey Redman, Lee Konitz, Kurt Rosenwinkel, Andrew Hill, Ben Allison, Pat Martino, Ingrid Jensen, Dena Derose, The Village Vanguard Jazz Orchestra, Kyle Eastwood and many others.

Born in Racine, WI in 1969, Frahm attended the Mason Gross School for the Arts and earned his B.A. in Jazz Performance at Manhattan School of Music. He released three highly regarded CDs on Palmetto: The Navigator, Don't Explain (with Mehldau), and Sorry No Decaf. Don’t Explain, his latest, was the number one jazz release for radio play in the United States for two consecutive weeks in 2004, according to jazzweek.com airplay chart and also reached number one on college radio for one week, according to College Music Journal’s airplay chart. Joel was also recently selected in DownBeat Magazine’s Critics Poll as a Rising Star in the category of tenor saxophone.