Rarely does a singer come along in whom virtuosity meets sensitivity. Jo Lawry at once tests the limits of technical facility and explores the furthest reaches of musical expression. Her music, steeped in the jazz tradition without being constrained by its traditional forms and functions, demonstrates a unique combination of maturity and inventiveness.
Born in South Australia, Jo was awarded a 2003 Fulbright Fellowship for study in the United States, which led her to New York where she still resides. There, she studied with such jazz luminaries as Javon Jackson and John Riley, and recorded with Renee Rosnes, Peter Washington and Lewis Nash. She was also named as a semifinalist in the 2004 Thelonious Monk International Jazz Competition.
Jo Lawry’s performing career since arriving in the US has been exciting and varied. She has performed and/or recorded with Jon Faddis, Clark Terry, and Hal Galper to name a few. Recent projects as a ‘sideman’ have been with Donny McCaslin and Allan Harris, appearing at venues ranging from NYC’s Blue Note and Jazz Gallery to the Kennedy Center in Washington, DC, and collaborations with Kate McGarry and Peter Eldridge have yielded performances at Birdland, the Jazz Standard and Joe’s Pub. Jo is also Artist- in-Residence at the United States Embassy of Australia and has given multiple command performances for both the current and previous Australian Ambassadors.
April 29, 2013
Off Tour With Sting, Laila Biali Is In Residency At Subculture May 10,...
February 18, 2010
Nos Novo, Featuring James Shipp and Jo Lawry, Kicks Off New Music...
May 16, 2009
Vocalist Jo Lawry Interviewed at AAJ
October 21, 2008
Debut CD by Vocalist Jo Lawry, "I Want to be Happy", Released Today
“I was completely knocked out. She has an
incredibly pure voice with faultless intonation.”
- Jason Crane, The Jazz Session
“She’s a phenomenal singer.”
- ABC TV (Australia)
“Jo Lawry is the real thing — a true jazz singer
with awesome musicianship, a wonderful
instrument and a fearless attitude.”
- Fred Hersch
“ With perfect intonation and the swinging feel
of an instrumental soloist, Lawry injected fresh
life into every piece, using perfectly timed,
expressive phrasing, and some smart scat.”
- John McBeath, The Sunday Mail