Keith Rowe (born in Plymouth, England) is an English free improvisation guitarist and painter.
Rowe is a founding member of AMM in the mid-1960s (though in 2004 he quit that group for the second time) and a founding member of M.I.M.E.O. He trained as a visual artist, and Rowe's paintings have been featured on most of his own albums.
After years of obscurity, Rowe has achieved a level of relative notoriety, and since the late 1990s has kept up a busy recording and touring schedule. He is seen as a godfather of electroacoustic improvisation, and many of his recent recordings have been released by Erstwhile Records.
Rowe began his career playing jazz in the early 1960's--notably with Mike Westbrook and Lou Gare. His early influences were guitarists like Wes Montgomery, Charlie Christian and Barney Kessel. Eventually, however, Rowe grew tired of what he considered the form's limitations. Rowe began experimenting, slowly and gradually. An important step was a New Year's resolution to stop tuning his guitar -- much to Westbrook's displeasure. Rowe gradually expanded into free jazz and free improvisation, eventually abandoning conventional guitar technique.
This change in his approach to guitar, Rowe reports, was partly inspired by a teacher in one of his painting courses who told him, Rowe, you cannot paint a Caravaggio. Only Caravaggio can paint Caravaggio. Rowe reports that after considering this idea from a musical perspective, trying to play guitar like Jim Hall seemed quite wrong. For several years Rowe contemplated how to reinvent his approach to the guitar, again finding inspiration in visual art, namely, American painter Jackson Pollock, who abandoned traditional painting methods to forge his own style. How could I abandon the technique? Lay the guitar flat!