Beginning his career as a teacher of classical music, Kenny Kirkland next became a jazz musician. Later he emerged from his jazz chrysalis as a practitioner of exotic pop/rock music and finally shed his wings to follow the mundane but financially more stable profession of studio musician. Kirkland was an associate of Wynton Marsalis, it is not surprising therefore that the five years Kirkland spent working for him (1981-85) should have been such a powerful influence on him.
He was born Kenneth David Kirkland in Brooklyn, New York, on 28 September, 1955, and took up piano at the age of six. The enthusiasm and urgency Kirkland applied to his piano lessons at such an early age, confirmed that his life was to be devoted to music, although it wasn't until I was 13 that it actually caught on for me, he remembered. He began by studying classical music, but distracted by the radio, he soon became interested in rhythm and blues. He absorbed the sounds of James Brown, Sly Stone and the Temptations. I tried to learn something from everyone.
He studied classical piano performance at the Manhattan School of Music for 18 months and then classical theory and composition before graduating as a teacher. A month before he was due to graduate he broke both legs, his jaw, his wrist and one hip. On his recovery, Kirkland moved into one of New York's celebrated lofts and it turned out to be one that musicians used to turn up to after work to play at all-night jam sessions. This was not conducive to the germination of pedagogy and at the instigation of three jazz pianists who became his friends - Larry Willis, Herbie Hancock and Kenny Barron - he threw himself into the world of jazz, playing electric keyboards and acoustic piano.