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Ken Stubbs Ken Stubbs

Ken Stubbs became involved with music after being ‘reborn’, after a near death experience. He was 14. It involved a Football ‘Special’ Train, hundreds of inebriated Glasgow Rangers fans, a fire hammer and axe, 2 near fatalities, him jumping from a train travelling at 70 mph, and several broken limbs.

It was then that he decided that this was the wrong game for him, and instead followed his other passion, which was the ‘Northern Soul’ music scene. Before long he was enquiring about the strangely alluring horn sounds that were prevalent within that music, the result being the start of a hot and passionate relationship with the saxophone.

Having been fortunate to experience an excellent music education, at what is now Salford University, Ken’s first professional music experience involved being fired from Pontins holiday camp for performing a loud, spontaneous, Albert Ayler impression, during a Lionel Blair-type dance troupe’s version of Barry Manilow hits – experienced by a large, confused crowd of Pontins-Punters, baying for his blood.

His second experience was equally as bizarre, involving him playing fast improvised lines over the Batman riff, for ‘Mary Chipperfield’s Skating Chimps’ (sic), …this lasted for 24 long weeks.

He knew that this was also not his path and soon followed the trail to London, where he formed his first jazz group – ‘First House’, with fellow ex music biz sufferers, Tube driver and Demon of the double bass, Mick Hutton, the marvellous, number-crunching drum genius, Martin France and the formidable composer and magician-keyboardist, Django Bates.

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Album Review
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Commenting on Ken Stubbs, Richard Williams of The Times states that,”he seems to owe no aesthetic debt to any other saxophonist.

Thom Durek reviewing the album on, comments on Ken Stubbs. ”As evidenced here, Ken Stubbs is, for a young man in his 20s, a brilliant composer. His works mark the majority of what is collected here. He understands dynamics, tension, texture, color, intervals, and most of all melody. His sense of these elements is complex but deeply satisfying. (Check the melody in “The Journeyers to the East.”)”

Chris Lee commented on how...”London based alto-saxist Stubbs is on ravishing, intimate form in quartet settings of familiar standards, bringing an almost Websterish sensuality to highly personal, full toned interpretations

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Primary Instrument

Saxophone, alto

Willing to teach

Advanced only

Credentials/Background is the most comprehensive jazz educational site available. One to one tuition is also available with Ken Stubbs, Visit for more details.

Clinic/Workshop Information is the most comprehensive jazz educational site available. Visit for more details.




Säd Afrika

Lost Marble

Album Dancing on Frith Street by Ken Stubbs

Dancing on Frith...

Lost Marble



Cherry K Records

Album Ballads by Ken Stubbs



Northern Soul

Northern Soul

Ken Stubbs
'Crooked Crooks Cracks'


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