LEA FREIRE's Cartas Brasileiras (Brazilian Letters - 2007) is receiving the enthusiastic applause of either public and critic, in many languages. Its music is the confluence of the three main musical forces that coexist in Brazil today : African, European and Native Indian. Vento em Madeira, the first track of this album, is a beautifull combination of these influences. With an invited orquestra adding to 62 (sixty two) musicians, it is a colossal production of her label Maritaca, specialized in the best Brazilian Instrumental Music.
Her first CD, “Ninhal” (meaning the collective of birds nests), is still very well received by public and critic and some of the songs, specially 'Vatapa' have been recorded already in Japan, German, Italy, USA and by various artists in Brazil.
Containing some startling and original music performed with great
authority and with all the
harmonic and rhythmic complexities expertly negotiated, Léa Freire's
new CD, Cartas
Brasileiras, comes over
richly and seductively to deliver a scintillating
commemorates 10 years of the Maritaca record label as well as the 50th birthday
of its founder, Léa
Freire. A leading light in Brazilian music, Freire continues to break
down musical barriers,
moving freely between jazz, popular, and classical music. She is an inventive
musician who has
distinguished herself as a daring flautist, arranger, and composer