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Leron Thomas

Leron Thomas’ musical journey began in his hometown of Houston Texas, always inspired by family rich with respect and understanding of quality music. After graduating from Houston’s distinguished High School for the Performing and Visual Arts, he ventured to New York City to develop as a trumpet player and composer, enrolling in Manhattan’s The New School.

While studying, his own music was evolving and maturing. Recognized for this he began performing professionally with various artists including Bilal, Billy Harper, Charles Tolliver and Roy Hargrove. The quality of his original compositions was enhanced when playing live alongside talented peers Robert Glasper, Damion Reid, Vicente Archer, Marcus Strickland, Harold O’Neal, Isaac Smith, Reggie Quinerly and Omer Avital. Leron graduated from The New School in 2003 with an identifiable sound, recognized by The New York Times, amongst others. Staying in Manhattan to pursue his professional career as a writer and trumpet player, Leron worked with many more artists from a variety of genre’s including Michael Stipe, Lauryn Hill, Bobby Watson and Mos Def, to name a few. Subsequently he found ways to liberate himself through a natural, fluid progression into writing and performing ‘other music’. These compositions required his personal trumpet tone along with his vocals to emphasize the diverse sound. From 2004 onwards he developed this genre-crossing music incorporating jazz, blues, pop, country, electro-pop and rock

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”The most direct reference to Waller came from trumpeter and vocalist Leron Thomas. Singing the Hoagy Carmichael tune, “Two Sleepy People,” popularized by Waller, Thomas’ romantic rendition finally arrested a crowd buzzing from the show’s frenetic pace.” Steven Chandler, highbrowmagazine.com

“They liked the incisive playing of trumpeter Leron Thomas, and probably especially liked his change-of-pace vocal feature, in which he classily sang Two Sleepy People, accompanied by Moran and Mateen” Peter Hum, blogs.ottawacitizen.com

”New York crew massive as always, what a night pre Sandy! Leron Thomas live was worth the ticket alone and Kilo Kish the bonus beat!” Gilles Peterson

“January is a time of year where many make grandiose promises and gestures – aka New Year’s resolutions – for their future intentions. Leron Thomas’s Appear to Stack has a clear intent and executes with precision, smack us around the head with soulful electronica that carries more weight than an operatic baritone

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11 Photos Slideshow

Discography

Whatever

Whatever

Self Produced
2013

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Juxtaposed

Juxtaposed

Self Produced
0

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Around You

Around You

Self Produced
0

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Silly Ass

Silly Ass

Leron Thomas
Whatever

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