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Lester Young

Lester “Prez” Young was one of the giants of the tenor saxophone. He was the greatest improviser between Coleman Hawkins and Louis Armstrong of the 1920s and Charlie Parker in the 1940s. From the beginning, he set out to be different: He had his own lingo; In the Forties, he grew his hair out. The other tenor players held their saxophones upright in front of them, so Young held his out to the side, kind of like a flute (see picture above). Then, there was the way he played: Hawkins played around harmonic runs. He played flurries of notes and had a HUGE tone that the other tenor players of the day emulated. Young used a softer tone that resulted In a soft, light sound (if you didn't know better, you would think the two were playing different instruments). Young used less notes and slurred notes together, creating more melodic solos. He played the ordinary in an extraordinary way, using a lot of subtleties to produce music that Billie Holiday said flips you out of your seat with surprise.

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Discography

Classic 1936-1947 Count Basie and Lester Young Studio Sessions

Classic 1936-1947...

Mosaic Records
2016

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Boston 1950

Boston 1950

Uptown Records
2013

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The Pres

Jazz Anthology
2010

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100 Years - Forever Young

100 Years - Forever...

Storyville Records
2010

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Centennial Celebration Lester Young

Centennial...

Original Jazz Classics
2009

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The Lester Young/Count Basie Sessions 1936-1940

The Lester...

Mosaic Records
2008

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