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Lex Korten

Lex Korten (b. 1994) was born and raised in New York City. Surrounded by an enormous rotating library of music in the household, Lex fell in love with Jazz around the age of 10 after being exposed to the sounds of Duke Ellington and Thelonious Monk. He found his first mentor, Brooks Hartell, through the backpack newsletter of his elementary school (P.S. 87), and was guided into the life-changing discoveries of Wynton Kelly and Jaki Byard, amongst many other lifelong heroes. Lex’s development continued at the Stanford Jazz Workshop in California for 6 summers; he also studied throughout high school with Taylor Eigsti and eventually Fred Hersh. Lex was awarded by the National YoungArts Foundation for Jazz Piano/Composition before graduating in 2012 from the High School for Math, Science and Engineering in Harlem.

Lex attended the University of Michigan to study with Geri Allen while pursuing a dual degree in political science. His years of close proximity with the scene and history of Detroit marked an extremely transformative period, thanks also to a tight group of inspired peers and an unforgettable cross-collaborative community in Ann Arbor. Lex was mentored closely for two years by renowned pianist Benny Green and also learned from Marcus Belgrave, Robert Hurst, Andrew Bishop, Ellen Rowe and Rodney Whitaker in the classroom and on the bandstand.

After graduating with his BFA in Jazz Studies in 2016, Lex Korten returned to New York City. Since then, he has established himself as a crucial young voice drawing a common thread between many different communities surrounding Jazz and improvised music. This is shown clearly by the kind of bandleaders who are seeking him out, from Ari Hoenig to Joe Farnsworth, Caroline Davis and Tyshawn Sorey for starters. He’s lucky enough to be central in the musical activity of his generation’s most ambitious leaders including Joel Ross, Morgan Guerin, Simon Moullier, Sasha Berliner, Ben Solomon and countless others. Korten is also a prolific writer and bandleader with several ongoing projects due to be recorded soon. His solo piano debut "Foreword" released on June 18, 2021. He aims to learn from his peers, elders and youngers while continuing to compose and lend his voice to the dialogue occurring in the world of improvised Black American Music.

​Korten has taught in an official capacity at The New School and Long Island University, and also has taught private lessons to students at prestigious conservatories including Oberlin, the Manhattan School of Music, and the Frost School of Music in Miami. He has also taught masterclasses at UNC Greensboro, the University of Rochester, the University of Michigan and LACHSA.

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Album Review

Karl-Henrik Ousbäck: Confluence

Read "Confluence" reviewed by C. Andrew Hovan


Drummers do not always get the respect they deserve and yet, in a jazz context, their contributions are an integral part in the overall success of the music. Aside from genre leaders such as Tony Williams, Elvin Jones, and Art Blakey, relatively few drummer-led sessions have entered into the upper echelon of recorded jazz history. However, those who cast a wider net will probably remember that drummers Art Taylor, Bill English, Grady Tate, Joe Chambers, and Roy Brooks ...

18
Album Review

Eshed Korten Biolcati Kim: A Way Out

Read "A Way Out" reviewed by Friedrich Kunzmann


One of the more exciting scenarios in jazz unfolds when a group of players comes together, not to realize one individual's specific vision, but just for the sake of making music together and to develop a chemistry which, ideally, was there from the beginning. The group effort here presents the fruits of such an occasion. A Way Out captures a contemporary jazz quartet that's in it for the joy of playing together. Forming the band name under which ...

10
Album Review

Linda Sikhakhane: An Open Dialogue

Read "An Open Dialogue" reviewed by Dan Bilawsky


When tenor saxophonist Linda Sikhakhane released Two Sides, One Mirror (Skay Music, 2017), it was a statement of arrival, marking his ascendancy within the jazz ranks in his native South Africa, and departure, signaling a move to the United States that would result in studies with tenor saxophonist Billy Harper, trumpeter Charles Tolliver, bassist Reggie Workman and a host of other greats at The New School. This eagerly awaited follow-up, recorded as part of his senior recital at that venerable ...

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Concerts

Music

Recordings: As Leader | As Sideperson

Isla

Self Produced
2023

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Confluence

Fresh Sound Records
2023

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A Way Out

Sounderscore
2021

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Momenta

Sounderscore
2021

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An Open Dialogue

Skay Music
2020

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