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Liz
Liz Whitted Dawson, is a consummate Singer/Songwriter with JAZZ leanings and deep sultry range that leave audiences smiling and going inwardly to listen to their own earth voice. Bringing her unique sense of style and class to Los Angeles and Bay Area venues such as The World Stage, Geoffrey's Inner Circle and the Open Mike at the Little Castle, she has graced the stage with such notable Jazz musicians as Bobby West, Rose Gales, Howlett Smith, Earl "Big Juicy" Johnson, Sal Crocker, Jerrell Ballard, Mike Alvidrez, Yancie Taylor and his Jazztet, Glen Pearson, Eric "ET" Tillman, Joe Warner and James Bailey. In 2008, Liz also sang background with Paula West and the late George Mesterhazy (Arranger/Pianist), Ed Cherry (Guitarist), Barak Mori (Bassist) and the late Tony Reedus (Drummer).
She has an innate sense of timing and tone. Liz can deliver a standard set up with her stylized affinity for walking bass line from the likes of Michael Alvidrez, Heshima Williams or place her signature stamp on originals such as Ancestors Call penned with the late Prince Lasha and New York based Impressario, Rudi Mwongozi. Known for making cameo appearances, she loves to hit the jam sessions and has sat in with Eric Tillman's set @ Savannah Jazz, when located in San Francisco. Liz has been the guest vocalist with Yancie Taylor’s Jazztet, in Oakland and Rose Gales Jam Session at The World Stage Performance Gallery in Los Angeles, CA. Liz produced her own “It’s Time” performances at The World Stage in November 2015 to a packed house and September 2017 for two sets. The amazing quartet was lead by Earl "Big Juicy" Johnson, Music Director and pianist; with Jerrell Ballard, on drums; Mike Alvidrez, bass and special guest, Sal Crocker, saxophone. Liz also serves as a licensed Practitioner, ALSP at the Agape International Spiritual Center in Culver City, CA.
Come along and experience the positive vibe and hip swing of Liz Whitted Dawson. You will leave uplifted, enlivened and inspired to: Do your Thing and Shine your Light. Tell your Friends that this is one Lady's show you cannot miss.
All praises to the Ancestors and those, such as her late Father, Haywood Franklin Whitted, Sr. and Mother, Laura B. Whitted, who laid their delicate musings within the Music and Performance style of Liz Whitted Dawson.
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Jo Harrop, The Heart Wants (Lateralize)
Source:
Ken Franckling's Jazz Notes
London-based singer and songwriter Jo Harrop has a winner here. Her lyrics are intelligent and her voice is stunning, sure, smoky and playful as required on the baker's dozen tracks. It includes nine originals, written with a solid team of frequent collaborators, and four covers. She explores the vagueries of life, loss, romance and renewed purpose. She even touches on the frustrations of the pandemic on “Everything's Changing.” The project includes covers of Duke Ellington's “All Too Soon” (a duet ...
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Elizete Cardoso: Canção do Amor Demais
Source:
JazzWax by Marc Myers
Elizete Cardoso is widely considered the first popular bossa nova singer in Brazil. She started singing early and was discovered at age 16 in 1936, while her first recording was issued in 1950. Between 1950 and 1958, she recorded more than 35 singles and albums. Then in 1958, lyricist Vinicius de Moraes asked her to record an album of songs he wrote with Antonio Carlos Jobim. The result was Canção do Amor Demais. Though her voice tended to sound operatic ...
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Music By Marginalized And Underheard Composers Featured In 'Lost Voices' Streaming Monday, November 30
Source:
Ann Braithwaite
A sung story of trafficked Jewish women, a forgotten form of Macedonian folk music, the little-known work of a once popular Dominican artist, and an edgy, wild tune by Legendary Stardust Cowboy are among the pieces presented in Lost Voices, a concert featuring music by artists missing from the conversation. Performed by the inventive young musicians of New England Conservatory’s internationally renowned Contemporary Improvisation (CI) Department at NEC’s iconic Jordan Hall, the event is produced by faculty members Anthony Coleman ...
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Utilizing Video To Promote Your Music
Source:
HypeBot
With so many options available for promoting your music, it can be overwhelming to try and figure out which one is best for you, but video often emerges at the head of the pack. Here we take a deep dive into what it takes to effectively utilize video as a promotional tool. Guest post by Chelsea G. Ira of TuneCore There are a lot of different ways to promote your music. You can post to social media, send out email ...
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Article 13 Finalized And It Will Change The Music Industry
Source:
HypeBot
EU negotiators have agreed on the final text of the new sweeping Copyright Directive in the Digital Single Market, including language on the contentious Article 13 clause. The finalization of the text was one of the last roadblocks to the approval of the directive by the European Parliament and presaged the commencement of the final stages of negotiation after EU member states voted to use a deal between France and Germany as the basis of the agreement. Safe Harbor Is ...
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Amuse To Utilize Machine Learning To Calculate Royalty Advances
Source:
HypeBot
Royalty advances are typically an unpredictable shot in the dark about what an artist is worth, with publishers seeking to keep it as low as possible, while artists work to squeeze as much money out as possible. In hopes to remove some of the polarizing ambiguity from this process, Swedish AI platform Amuse with soon begin calculating these payments using machine learning. Guest Post by Bobby Owsinski of Music 3.0 Getting an advance on your royalties is always a wild ...
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Live Albums: Lost Art Or Underutilized Asset? [Jake Udell]
Source:
HypeBot
Here Jake Udell explores how the live album, a format which has a fallen a bit by the wayside in recent years, was utilized by breakout artist Freya Ridings with hugely successful results. Guest post by Jake Udell of Art of Manager Live albums… Are they a lost art… Or a significantly underutilized asset? Freya Ridings was arguably one of the breakout stars of 2018. For the last several months, on the back of a continued effort from her independent label ...
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YouTube Plays Offense, Funds Study Showing It Cuts Piracy, Doesn't Cannibalize Paid Services
Source:
HypeBot
As the importance of streaming revenue has increased, so has the criticism of YouTube, Once content to stay above the fray, Google's video behemoth is fighting back against those who contend that it pays too little and cannibalizes users from other services that pay out more. Admitting there is a lively debate about whether YouTube is bad or good for the music industry," Google's YouTube has financed a study by RBB Economics to prove its worth. The first results, published ...
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Otto Radio Adds Personalized Themed Stations
Source:
HypeBot
Audio content aggregator Otto Radio has added Themed Stations- personalized digital radio station that plays audio, news and podcasts based on user preferences. Much like Pandora or Spotify play songs based on previous interactions, Otto Radio unearths podcasts and news. The new Otto Radio web and mobile app can build dedicated stations that pull in audio, news and podcasts about diverse topics such as golf, personal finance, music, food and more. There is no limit on how many stations can be created ...
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SoundCloud Launches The Upload: Personalized New Music Discovery
Source:
HypeBot
SoundCloud has millions more tracks than other music services, thanks to its huge base of creators. That's an advantage unless you're a user trying to find great new music; and then it's overwhelming. SoundCloud launched The Upload to solve that, as well as provide a new discovery opportunity for artists. A day after slashing the price of new 3 month subscriptions to just $1, SoundCloud has launched The Upload, a new discovery that delivers a daily playlist of the newest music ...
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