Even after 40 years away from his Louisiana home, Lonnie Brooks' music is still instilled with the funky, swampy bayou rhythms of Opelousas and Lafayette, and his lyrics often speak of black cat bones and mojo hands. But along the road from Louisiana to Chicago, he's combined the swing of Texas, the soul of Memphis and the pure power of Chicago blues into a musical gumbo that is all his own.
Lee Baker, Jr. was just a young laborer in Port Arthur when Clifton Chenier spotted him playing guitar on his porch and drafted him into the Red Hot Louisiana Band. Soon after, under the name Guitar Junior, he burst onto the scene as a rock 'n' roll star, cutting a string of Gulf Coast hits like Family Rules , The Crawl, and Roll, Roll, Roll for the famed Goldband label.
In 1959 he befriended the Legendary Sam Cooke on a caravan tour of the south, wrote a couple of tunes together, then hitched a ride with him back to Chicago to live with Sam’s mom and brother. This is where he began soaking up the raw sounds of the big city with the likes of Muddy Waters, Howling Wolf, Little Walter, Otis Rush and Magic Sam. Soon after that he then landed a job as a side man with Jimmy Reed and recorded the Blues Classic Big Boss Man as well as taking on a new name Lonnie Brooks.
Lonnie played throughout the '60s in the tough joints of the West Side, and even recorded an album for Capitol under his old name of Guitar Junior named Broke and Hungry.But it wasn't until 1978 that Lonnie cut Two Headed Man for Alligator's Living Chicago Blues series and debuted the Voodoo Blues sound that became his trademark. The release of the Grand Prix Award winning Album Bayou Lightning on Alligator Records in 1979 exploded Lonnie into the Blues scene. The Grammy nominated Bayou Lightning Strikes: Live from Chicago catapulted Lonnie into Legendary status winning wider recognition worldwide.